Terminus (2007)

Trevor Cawood was born in Regina. He began his career working as a visual-effects supervisor and commercial director. Terminus (2007) is his first film. This short is a dark comedy about the self-destructive nature of the human mind and the dangers of urban isolation. It employs a sharp deadpan sensibility and a stylized dystopic world to evoke our universal anxieties.
Soaked in Seventies concrete modernism and making brilliant use of computer generated graphics, Terminus brings urban angst vividly to life.

After inadvertently offending a strange entity that accosts him on his way to work, a 1970's businessman quickly finds himself in the midst of a bizarre predicament. A colossus made of concrete pilings follows a lonely man throughout the city tormenting him as he goes about his daily life on the subway, at the doctor's office and elsewhere. What follows is a rapid descent into madness, a journey both eerie and darkly humorous. All the while, a strong, foreboding sense of mental anxiety builds as the man is ultimately driven to extreme ends.
The exact nature of the businessman's tormentor is purposefully ambiguous, lending itself to a variety of interpretations. Is "Terminus" a surreal critique of human alienation in the modern urban environment or is the protagonist's struggle an internal one, his mysterious stalker a manifestation of his repressed subconscious mind? Either way, it's a deceptively simple story but the thought behind this short is very complex on every level.

Landscape 02

Rebekka Ehlers. In 2003 she received a scholarship from Fabrica, The Benetton Research and Communications Center, where she worked until starting out as a freelance photographer in 2005.

Die Abenteuer des Prinzen Achmed (1926)

The Adventures of Prince Achmed was the first full-length animated film and despite being 75 years old, the silhouette animation looks clean, fresh and technically adroit.
Lotte Reiniger spent three years making this silent animated film based on the Arabian Nights legends. She worked with animator Bertold Bartosch and background artist Walter Ruttman for three years on the film.
A wicked sorcerer tricks Prince Achmed into riding a magical flying horse. The heroic prince is able to subdue the magical horse, which he uses to fly off to many adventures. While travelling, he falls in love with the beautiful Princess Peri Banu and must defeat an army of demons to win her heart.
Reiniger made the entire film frame-by-frame with elaborate paper cutouts under a camera. The paper cutouts were jointed using wires and delicately arranged on top of a lightbox, where it was photographed frame by frame. A modern, existential condition is visible in the construction of her silhouettes: fragmented pieces of paper bolted together at various joints, moving mechanically from frame to frame.

A study of natural movement is very important, so that the little figures appear to move just as men and women and animals do. The backgrounds for the characters are cut out with scissors as well and designed to give a unified style to the whole picture. They are cut from layers of transparent paper.
The color-tinted film uses a diverse cast of characters, animals and elaborate backgrounds that make an otherwise limited monochromatic experience come alive.
And the music adds narrative to the piece, with each character having their own theme.
Human gestures, in particular, are wonderfully underplayed, helping the film throughout, as well as rendering several scenes with an ethereal, erotic quality.
Lotte Reiniger brings a unique perspective to the look of traditional characters, as she uses intricate Eastern details to show off astoundingly delicate filigree cutting work and an amazing grasp of the way in which shapes work together and of optical illusions.
You can buy The Adventures of Prince Achmed dvd and the essay The Adventures of Prince Achmed.

E.S.U. 8

If you want to read E.S.U. 7, click here.

Le Retour à la raison (1923)

Emmanuel Radnitsky (in art Man Ray) taught himself photography in order to reproduce his own works of art, which included paintings and mixed media. In 1921 he began to make photograms, which he called "Rayographs" (an object is placed between a light source and photo-sensitive film, in contrast to traditional photography where photographic film captures light reflected off an object). In the 1920s, he also began making moving pictures. He was disappointed that he was recognized only for his photography and not for the filmmaking, painting, sculpture and other media in which he worked.

Le Retour à la raison (Return to Reason, 1923) is one of the first Dada movies: it consists of various animated textures, Rayographs and the torso of Kiki of Montparnasse (Alice Prin), illuminated in striped light. For Le Retour à la raison, Man Ray sought to extend the rayograph technique to a moving image. He sprinkled salt and pepper on one piece of film, pins on another, illuminated the film for a few seconds, then developed the film. Man Ray added additional sequences to make the film of sufficient length to have an impact.
It also features a small segment of his work Danger.
This short film is a highly creative, non-narrative exploration of the possibilities of the cinema medium: the emphasis is, in fact, on playing with the possibility of representing light, shape and movement on film.
You can buy Photographs by Man Ray: 105 Works, 1920-1934, Man Ray (Artists of the 20th Century) and Unseen Cinema - Early American Avant Garde Film 1894-1941.

Salaryman Project

by Bruno Quinquet.

AM Syndicate - To the Peasants of the Emperor (2005)

In many ways, this film is experimental as it makes you dance around the line between reality and fiction through the use of animation and meta-narration. The final effect is awesome. You become a child once more as you watch it.

The music is by AM Syndicate, a band formed in the Spring of 2004 by Omar Chavez of Rhythm of Black Lines, Danny Wood of The Rise and later.
The animation is by Eric Power. He created Clear Productions, an independent production company spanning multiple styles of cinematic expression. Apart from creating films, he works freelance in the fields of photography, art and videography.

Maicol and Mirco

You can read Maicol and Mirco's works on Gli scarabocchi, Grasso, Petrolio, Schizzo, Kerosene, Motorino, Stripburger and many other magazines.

Recycled Life, 2006

Leslie Iwerks, documentarist granddaughter of famed animator and Disney collaborator U.B. Iwerks, helms the 38-minute muckraking nonfiction film Recycled Life.
She was shooting a project on the Mayas and traveling throughout all the country of Guatemala with a small crew. When they drove into the Antigua dump to unload some trash, they noticed two children, a brother and a sister living in a large cardboard box inside the dump. This was their home and they didn’t have any parents. And there are other people who lived like this.

If you watch this short film, you will encounter energetic and courageous people, surreal images: through these the filmaker traces the effects of a devastating cataclysm.
The generosity and spirit of so many people living in the most extreme poverty touched me beyond words.
It received a nomination at the 79th Academy Awards and it won prizes in various festivals.

Octopus

by Jesse Chehak.

Distinctions

2007 Magenta Foundation Emerging Photographer
2005 Print Magazine New Visual Artist Review: 20 Breakthrough Talents
2005 PDN 30

Le Songe d'un garcon de cafe (1910)

The Hasher's Dream in less than a minute & a half shows the surrealistic visions of a man under the influence of alcohol. Hasher, in his delirium, watches beautiful strange events and demons in an enormous moon.

The Hasher's Delirium (Le Songe d'un garcon de cafe, 1910) lends a hint of narrative structure rather than just showing transformations like in his previous shorts.

This short film is influenced by the prevailing art movements of the time. Emile Cohl's works had been associated with a group obsessed with insanity as an aesthetic subject, the Incoherents and with the pre-symbolist newsletter L'Hydropathe. Despite their stick-figure drawings, The Hasher's Delirium shows fluidity of motion, startling perspective animation and strange transformations of objects into one another.
You can buy Emile Cohl, Caricature, and Film and Saved From The Flames - 54 Rare and Restored Films 1896 - 1944.

E.S.U. 7

If you want to read E.S.U. 6, click here.

Berlin: Die Sinfonie der Großstadt (1927)

Berlin: Symphony of a Great City (Berlin: Die Sinfonie der Großstadt), is a 1927 German silent film directed by Walter Ruttmann, in collaboration with Carl Mayer (a screen writer who had co-written the script for Das Cabinet des Dr. Caligari), Karl Freund (the director of Fox-Europe Production), and Lore Leudesdorff who had already assisted Ruttmann with Opus III and IV. It took over a year to photograph the film and they used movie cameras concealed in vans and suitcases to get realistic effects.
The music that accompanies the film was written by Edmund Meisel who also directed the orchestra at the film’s public opening at the Tauentzien-Palast in Berlin.

The film displays the filmmaker's knowledge of Soviet montage theory. It portrays the life of a city, mainly through visual impressions in a semi-documentary style, without a narrative content. Shots and scenes are cut together based on relationships of image, motion, point of view and thematic content. It's interesting to note that there many parallels exist between this film and Vertov's 1929 Man with a Movie Camera.

The events of the film are arranged to simulate the passage of a single day. The film is divided into five acts and each act is announced through a title card at the beginning and end. Much of the motion in the film and many of the scene transitions are built around the motion of trains and streetcars.
Berlin: Symphony of a Great City could seem superficial because of its interest in the aesthetics of the city at the expense of its human element and because it doesn't show a more detailed portrait of Berlin. Ruttmann was interested in the dynamism of movement and shapes and he aimed at making the viewer experience Berlin phenomenologically. He relies on editing, on a montage based on analogy and contrast to infuse the film with dynamism.
You can buy Berlin: Symphony of a Great City.

Abtu

Jaime Zollars. Her narrative images are a combination of collage and acrylic paint and often tell stories of people and places far away.

Cyclone Took My Baby (2002)

Paper Rad is a three collective artist group, comprised of Jessica Ciocci, Jacob Ciocci and Ben Jones. The group's name come from an extension of a weekly alternative comics paper that Jones self-published, Paper Radio.
The song is from Mixel Pixel's first album, Mappyland
Paper Rad has performed at the Whitney Biennial, at the Liverpool Biennial, at the New York City Gallery Deitch Projects, as well as the Tate Britain. Their works include videogames remixes, Flash animation, and open source Web projects.

This artistic group narrates story of our times in a way that isn't filtered through big-media spin or the historical revisionism of academic pundits. Their works are constantly infused with rebellious attitudes and iconoclastic positions. They are part of an art establishment that seems distant to many young people who should be getting inspired by art. Their caleidoscopic imagery is the result of mixing psychedelic images with Op Art and the pop culture with humor!
You can buy Taking out the Trash/Faces in the Trash.

Faccia (Face)

Giacomo Nanni's works are issued on Mano, Frame, Lo straniero, Hamelin, Inguine Mahgazine, Nonzi, Glomp, Sai Comics and Internazionale. He was the winner of Best Short Novel at Lucca Comics 2005, and he has received the award Nuove strade at the Napoli Comicon 2006. His books: Clara (Canicola, 2004), ZZZZ (Canicola, 2005), Storia di uno che andò` in cerca della paura (Coconino Press, 2006) and Cronachette (Coconino Press, 2007).

Ah Ma (2007)

Ah Ma is lying in the hospital, her life hanging by a thread. Her family gathers by her deathbed to send her off. Overwhelmed by sadness, they struggle to find their own way of coming to terms with the impending end.

This short film is inspired by the passing of Anthony Chen's grandmother in 2005. It's a sensitive observation of the ways people react and deal with death and seeks to be an honest exploration of the human condition.

It has received a Special Mention Award at the 60th Cannes Film Festival.

Nocturne

by Noel Rodo Vankeulen



AWARDS & DISTINCTIONS

Sheridan Scholar
Member of Dean's Honour Roll 2005 - 2007

Fantasmagorie (1908)

Fantasmagorie is the first all-animated film in history. An American named J. Stuart Blackton got there first with his films such as “The Enchanted Drawing” (1900) and “Humorous Phases of Funny Faces” (1906); but Blackton’s films were a mix of live action and animation.
Fantasmagorie is a surreal story: a series of scenes without much narrative structure, but morphing into each other. Emile Cohl creates a visual spectacle and orchestrates the action as he moves along.

He placed each drawing on an illuminated glass plate and then traced the next drawing-with variations-on top of it until he had some 700 drawings. The white line effect was the result of using a "negative reverse" changing the black line on paper to white on black.
Despite the fact that it has no plot or real point except to show off what animation can do and despite the relative crudeness of the drawings, Cohl’s wild and wacky imagination was daring, vibrant and wickedly funny and its short running time make it a joy to watch.

You can buy Emile Cohl, Caricature, and Film and Saved From The Flames - 54 Rare and Restored Films 1896 - 1944.

E.S.U. 6

If you want to read E.S.U. 5, click here.

An Inconvenient Truth, 2006

From director Davis Guggenheim comes the Sundance Film Festival hit, An Inconvenient Truth, which offers a passionate and inspirational look at one man's fervent crusade to halt global warming's deadly progress in its tracks by exposing the myths and misconceptions that surround it. A catastrophe we have helped create. Humanity is sitting on a ticking time bomb!

Davis Guggenheim's documentary is based mostly on Gore's multimedia presentation on climate change, a lecture he has delivered hundreds of times in recent months. While Gore is managing the show with powerful efficiency, there is nothing dry or tired about it. The former Vice President Al Gore re-set the course of his life to focus on a last-ditch, all-out effort to help save the planet from irrevocable change. With wit, intelligence and hope, An Inconvenient Truth ultimately brings home Gore's persuasive argument that we can no longer afford to view global warming as a political issue - rather, it is the biggest moral challenge facing our global civilization.

I did not find a single negative review based solely on the film’s art. But I found so many errors in this movie!
If the movie will help you judge for yourself which direction we should take, then Gore should dig deeper into the material. If you want to read a full report, you can download this pdf file.
However, this is on the whole a good film. It explains the facts very well, explains away the objections that people have been hearing about from the media and is also pretty funny at times.
You can buy An Inconvenient Truth and An Inconvenient Truth: The Planetary Emergency of Global Warming and What We Can Do About It.

Small Configuration 2

Patrick Smith has written, produced, animated, and directed five award winning films from 2000-2006. Smith made his directorial debut for the Emmy nominated MTV series "Down-Town", continuing on to direct the popular animated series "Daria." His bizarre, morphing style tells symbolic stories of identity and emotion, and have extended beyond film. His Public Art Installations have earned the artist a multitude of accolades outside the world of animation, his fine art is currently represented internationally by CVZ Contemporary Gallery in New York.. You can buy: Liquid Tales, Avoid Eye Contact, Vol. I, Avoid Eye Contact, Vol. II, Spike and Mike's Cutting Edge Classics.

Sukkis' Story (2005)

Sukki's Story reflects on Thomas Leung's changing relationship with his mother when he leaves Hong Kong to start his new life in a new country. The narration is often non-linear as we are unsure of where Sukki's new life will take him or what obstacles lie ahead in the future which could lead to an inner and/or imaginative journey.

This short film has won the Victorian Student Animation Festival 2005 for Best Sound Design. It has also been selected as part of the Australian Digital Shorts Program at the Sydney Film Festival 2006.
You can feel the sorrow and the joy the scenes bring. It is a simple and yet powerful film with a soul. It's not just a story. It's an incredible animation for its magical atmosphere and tenderness!

La Scala di Schild (Schild's Staircase)

by Franco Brambilla. He has created the cat and dog character Full & Berto. He collaborates weekly with the economic supplement of the Corriere della Sera. He also founded AIRSTUDIO, together with Pierluigi Longo and Giacomo Spazio.

He has worked for some of the biggest italian publishing houses creating the covers for various sci-fi books and novels.

Rhythmus 21 (1921)

Richter's earliest experiments were hardly more than tests, Rhythmus 21 is a serious abstract animation composed solely of squares and rectangles that change shape. Artists like Luis Bunuel & Fritz Lang were influenced by him.
Hans Richter was a painter, graphic artist, avant-gardist, film-experimenter and producer. He was influenced by Cubism and Expressionism and joined in the Dadaist movemet in the 1916. Richter’s collaboration with Viking Eggeling on drawings, abstract sketches, and most importantly on ‘scroll paintings’, provided the inspiration for Rhythmus 21.

The original film was roughly two minutes long. Over the next two years Richter worked on the film and extended it to almost seven minutes. Before October 16th, 1927 when the film was screened at the Film Society in London, Richter divided the film in two parts and later on called it Rhythmus 21 and Rhythmus 23. In the following year Richter created another chapter, Rhytmus 25, which didn't survive.
These forms appear in very simple to very complex compositions-from the beginning shots where the squares appear with the frame. In Rhythmus 23 there are more angle and line overlays rather than adherence to the squares as in Rhytmus 21.
It's very interesting how these short films resemble some aspects of 1950's beatnik art & 1960's op art. The final effect is a subversion of the cinematic illusion of depth. Richter creates a precise rhythm with the movement of these shapes and suggests connections through opposites: black/white, left/right, top/bottom and creates visual associations with geometric patterns.

Greenland

Olaf Otto Becker


Exhibitions

2008 Gallery Cohen Amador New York, Broken line, January - March 2008
2008 Gallery Stephen Cohen, Los Angeles, Broken line, 20th of March 2008
2008 Gallery f.5.6, Munich, Broken line, 3rd.of April. 2008
2008 Powerhouse New York, Shifting Landscapes, April 2008
2008 New York Photofestival, Mai 2008

Le Coeur Est un Metronome (2007)

Father and son. The relationship between children and their parents is always problematic. A father is proud of his new baby son, takes photographs of him and throws the child into the air for sheer joy. What happens when both adults throw a tantrum and storm out of the house? Will the son be proud of the father?

In this short film, dancing is the high point of the exchanges between the two characters: it is their only means of communication.
Le Coeur Est un Metronome is Jean-Charles Mbotti-Malolo's graduation movie and was awarded the "Recommendation Prize".

E.S.U. 5

If you want to read E.S.U. 4, click here.

Rabbit Stories (2006)

Sean Conway has directed Rocco Paris, A Place that Glows, Rabbit Stories and Son of Steve.

Rabbit Stories is a study of mental illness; a portrait of a young schizophrenic man called Fenton Fuller. The film doesn't really have a start, middle and ending narrative because Fenton himself jumps all over the place. We learn things about him but we cannot be sure if they are true or just in his head as many of the scenes (if not all) exist within his head rather than in the reality of the film. Life is an exploration made more manageable by like associations, similar philosophies, and a belief in liberation as both a blessing and a curse .It’s a movie that sticks with you long after the final image has faded away.

Behind the scenes

Aaron Hobson has created a series of images that are quickly gaining international attention with their unique approach to the traditional genre of panoramic photography.

Exhibitions:

Tenderpixel Gallery, 2008
Drkrm. Gallery, Fall 2008
Ivy Brown's Go Fish Gallery, December 2007
7444° Gallery, Septermber 2007

Persepolis (2007)

Marianne Satrapi believes that an entire nation should not be judged by the wrongdoings of a few extremists. But Perspolis isn't a politically oriented film with a message to sell. It is first and foremost a film about Satrapi's love for her family. This animated film is the poignant story of a young girl in Iran during the Islamic Revolution.
Unlike the comics book series, the film is a long flashback. Marianne Satrapi and Vincent Parronaud create something altogether different but with the same material. It's a one-of-a-kind piece. There was no point filming a sequence of panels. People generally assume that a graphic novel is like a movie storyboard, which of course is not the case.

They started with 2D images on pen tablets but they were not totally happy with the result. The lines lacked definition. It was therefore clear that a traditional animation technique was perfectly suited to Marjane's and Vincent's idea of the film. Satrapi drew all the characters: over 600 model sheets!

In addition to animation director Christian Desmares, other twenty animators worked on the movie. Each sequence (1,200 shots) was given to an animator. Satrapi insisted on being filmed playing out all the scenes.

Using only black and white, they were closer to Japanese animation because of the story’s realism, but they couldn't apply the techniques used in manga. As a result, they had to develop a specific style, both realistic and mature. The film is a combination of German expressionism and Italian neo-realism. It features very down-to-earth, realistic scenes and a highly design-oriented approach, with images sometimes bordering on the abstract. It could be defined as "stylized realism. Satrapi and Parronaud realized that the usual codes in animation didn't seem to fit, so they used movie-style editing, with a great many jump-cuts; even from an aesthetic viewpoint, they drew their sources from cinematic techniques.
Persepolis has been nominated for Best Animated Feature at the 80th Academy Awards, tonight we'll know if it has won an Oscar!
You can buy Persepolis (French edition) and Persepolis (English edition).

Porto Marghera

Claudio Calia. His works are: I Baccanti, Nuvole and Porto Marghera, la legge non è uguale per tutti (BeccoGiallo, 2007). He collaborates with Nonzi and Self Comics, and he illustrated the musical album Senza sicura's Quattro città and Il potere del nulla, and Alberto Cantone's Angeli e Ribelli. He's the curator of the anthology Lucio Fulci, poeta del macabro (Nicola Pesce, 2006); he's also the curator, together with Emiliano Rabuiti, of Radio Sherwood Comix against Global War, Vite Precarie, Fortezza Europa (Coniglio Editore, 2006) and Resistenze - Cronache di ribellione quotidiana (Becco Giallo, 2007).

Deliver Us From Evil, 2006

When Amy Berg decided to hang out a shingle and produce feature documentaries two years ago, she wasn't quite sure what subject might both consume her interest and hit a nerve with audiences. When "Deliver Us From Evil" debuted at the Los Angeles Film Festival, it immediately won the Target Documentary Award and a $50,000 cash prize; the film was subsequently acquired by Lionsgate for theatrical release.

Moving from one parish to another in Northern California during the 1970s, Father Oliver O'Grady quickly won each congregation's trust and respect. Unbeknownst to them, O'Grady was a dangerously active pedophile that Church hierarchy, although aware of his predilection, had harbored for over 30 years, allowing him to abuse countless children. Juxtaposing an extended, deeply unsettling interview with O'Grady himself with the tragic stories of his victims, filmmaker Amy Berg bravely exposes the deep corruption of the Catholic Church and the troubled mind of the man it had sheltered.
Ms. Berg's film exposes the truth about sexual abuse in a compassionate and sensitive way. This film will make no one feel indifferent about what has been going on in the Catholic church for centuries.
You can buy Deliver Us from Evil.

Bulbs

by Kate Peters


Awards

Creative Futures 2005
Metro Imaging Student Bursary, Winner 2002

The Mermaid (Rusalka, 1997)

This story is about an old monk living with his apprentice near a river. The old man recalls from time to time the old days; how he betrayed his true love and therefore she drowned herself. It's said that a woman, who drowns herself because of lovesickness, will become a mermaid. Her only goal will be to trick young men with her charms and drag them down to the deeps.

The Mermaid is here identified with the mythological Slavic creature the Rusalka, which seeks vengence upon life by tempting and drowning the living.
Russian director Aleksandr Petrov has been nominated for several Oscars for Best Animated Short Film-- for The Cow and The Old Man and The Sea. Each features a style totally unlike any other studio, as Petrov's shorts are like little epic movies and moving tapestries combined. This short movie was painted on glass by using fingers and brushes. The artwork is like a painting that moves in a very fluid style.
You might be interested in Petrov's My Love.

E.S.U. 4

If you want to read E.S.U. 3, click here.

Ballet mécanique (1924)

Leger was the first of the Cubists to experiment with non-figurative abstraction, contrasting curvilinear forms against a rectilinear grid. In 1924 he made a 'film without scenario', Ballet Mecanique, in which he contrasted machines and inanimate objects with humans and their body parts. The film was premiered by Frederick Kiesler in Vienna on September 24 1924. The original version of Antheil's music ran almost 30 minutes, and a married print of film and music was not made until 2000 by sound engineer and composer Paul Lehrman.
This masterpiece is a landmark film in the development of montage, a cinematic tool that juxtiposes two or more images to infer related ideas or events. The film also explores many Cubist themes, among which the concept that all machines were taking human nature out of humanity.

Vienna Cityscapes

Daniel M. Kanemoto is an award-winning director based in New York City (or wherever else his projects happen to take him). His 1999 debut, A LETTER FROM THE WESTERN FRONT, won the Gold Medal for Best Animated Short at the Student Academy Awards. For the past decade, Dan’s diverse body of work (from national commercial campaigns to feature films) has been featured on Nickelodeon, MTV, the Discovery Channel, and film festivals around the world.

Finding Madame Tutli Putli (2007)

Glitterbead

Michael Mouris is an incredible artist, who made this pixilation featuring a glittery piece of art. The music “Spider Hangout” is by Dominic Bisignano.
I find it so mesmerizing.

The Beholder

by Jose A. Mercado

Exhibitions:

2008 Minna Gallery, 20×20 January group show

2008 Space Gallery SF, My Vice Group Show

2007 Versus Gallery, Revenge of the Empire group art show

2007 Foundation One Gallery GA, The Grind group art show

2007 Las Vegas NV, GM/Jada Toys Kulture Klash Custom art show

2007 Crewest Gallery, Top Of the Dome 4 group show

2007 Minna Gallery S.F., Fighting for dreams group show

2007 Agesong Gallery S.F., Heavy Hitters group show

2007 Los Angeles Crash Mansion, Panthaland group show

2007 Thinkspace Gallery, ISM Untitled Love Project

2007 OCCCA GALLERY, ISM Untitled Love Project

2007 MF Gallery NYC, Zombies Attack

2007 URB Gallery, Represent,Represent! Tempt One Art Benefit

2007 Crewest Gallery, Canceptual Art show V.2

2007 Lost Souls Cafe, Make Believe group art show

2007 Las Vegas NV, Hit The Deck skateboard show

2006 Crewest Gallery, Top of the dome 2 group show

2006 ISM White Elephant Show

2006 Orange County County Museum of Art, Little Squares Project

2006 Las Vegas Arts Factory, Malicious Vinyl Group Show

2006 Crux Gallery, The Red Show

2005 Fulcrum Records Gallery, Vinyl Show

2005 Crux Gallery, Door Show

2005 Crux Gallery, Group Show

2004 Self Help Graphics, Day of the Dead Celebration Group Show

2004 Coba, Mini Board Group Show

2003 Artistic Insomniacs, Group Show

Jesus Camp, 2006

“Jesus Camp” is the second film by the documentary team of Heidi Ewing and Rachel Grady to explore the molding of young minds. The majority of the children in “Jesus Camp” are home-schooled by evangelical parents who teach them creationism and dismiss science.

It is a straightforward documentary, with no narrator or fancy cutting to present an opinion. The footage really does speak for itself. The film follows Becky Fischer, a Pentecostal children’s minister who runs the “Kids on Fire” summer camp in Devil’s Lake, North Dakota. Becky’s methods of reaching the children are powerful and at times, thought-provoking. But, some of her methods are a bit more radical.

The film also follows three children, Levi, Rachel, and Tory.

It is rather disturbing to see the children in this movie being instilled with thoughts and ideas that they do not have the full capacity to understand.
The film is being marketed as an even-handed, unbiased look at the Evangelical movement, but it lacks any obvious focus.
You can buy Jesus Camp.

New York 2007

by Christian Reister.
Publications:

Berlin Art Info // Berliner Illustrirte Zeitung // Berliner Morgenpost // Bunte // design report // Die Welt // HörZu // Jüdische Allgemeine Zeitung // Kreiszeitung Syke // Kunstzeitung // Prinz Berlin // Rheinische Merkur // scheinschlag // Tagesspiegel // taz // Tip // Vorwärts Magazin Zeitblende // Welt am Sonntag // Zitty.

The Danish Poet (2006)

Produced by Lise Fearnley and Marcy Page for Norway’s Mikrofilm and the National Film Board of Canada, The Danish Poet is the story of Kasper, a poet whose creative well has run dry, on a holiday to Norway to meet the famous writer, Sigrid Undset. As Kasper's quest for inspiration unfolds, it appears that a spell of bad weather, an angry dog, slippery barn planks, a careless postman, hungry goats and other seemingly unrelated factors might play important roles in the big scheme of things after all. Can we trace the chain of events that leads to our own birth? Is our existence just coincidence? Do little things matter?
Attached to the National Film Board of Canada, Kove also works as a designer, illustrator, animator and scriptwriter. Her previous film, Min bestemor strøk kongens skjorter (My Grandmother Ironed the King’s Shirts), was also nominated for an Oscar in 2006. Kove works in an old-fashioned animation style, drawing the original figures and backgrounds in pencil and scanning in the images and adding colour using digital technology.

E.S.U. 3

If you want to read E.S.U. 2, click here.

Schwarzfahrer (1993)

Pepe Danquart's short film captures the dignity of a man confronted with a problem many of us may have faced in a foreign culture. A young black man is verbally harassed by an older woman on a streetcar, while the other passengers remain silent. He finally exacts his revenge.

Its beautiful cinematography, good subject matter, great characters, totally surprise and not only has it won the Academy Award (1993) for best live action short film, but it has also won more than 30 awards and screened at more than 60 film festivals including Berlin, Cannes, and Sundance!
When dealing with ignorance and intolerance, nothing makes more of a statement than the power of humor.

Megan Brain's Paper Sculpture

by Megan Brain

Memory (1964)

Osamu Tezuka was heavily involved with experimental animation and had won several international animation awards, including the Grand Prix for Jumping at the 1984 Zagreb International Festival, the Grand Prix for Broken Down Film at the Hiroshima International Animation Festival, and the CIFEJ award for Legend of the Forest at the 1988 Zagreb International Film Festival.

This short film is a privately produced animated film. It does not look like an anime, using photographs and cut-outs as well as hand-drawn animation. The story develops into a tale of destruction of human beings, turning the existence of the earth into a memory of the universe. It's an insightful look at the psychology of memory in the life of an individual and a culture. How will the initial reality change in the end?

Radio Science Funnies Inc.

Ryan Heshka has painted for BLAB!, Vanity Fair, Playboy, Wall Street Journal, Barrons, Popular Science, Dreamworks SKG, Fast Company, PC World, Smart Money, Esquire, Harper Collins, and Newsweek.

My Country, My Country (2006)

My Country, My Country was motivated by a sense of despair. Laura Poitras was determined to see the contradictions of the war in Iran from the perspective of the people living there. Filmmaker and crew are invited into the home and personal lives of Riyadh and his family. Poitras and her crew are granted behind-the-scenes access to the election preparations, too.

Working alone in Iraq over eight months, Poitras creates an extraordinarily intimate portrait of Iraqis living under U.S. occupation. Her principal focus is Dr. Riyadh, an Iraqi medical doctor, father of six and Sunni political candidate. My Country, My Country is, in fact, an impartial documentary depicting the controversial 2005 Iraqi national elections. The documentary follows the agonizing predicament of one man caught in the tragic contradictions of the U.S. occupation of Iraq and its effort to spread democracy in the Middle East.
Still the tale told here is not so much a political one as it is a human one, which is why this film rates a wide audience.
You can buy My Country, My Country.

Hommage

by Heidi Spicker.

You can buy her books: BANGKOK, Im Garten, Concrete. She's also coauthor of Asia City Strangers.

Dog (2002)

A moving tale from Suzie Templeton about a young boy who, grieving for his dead mother, seeks reassurance from his father.
This film is about a relationship between a father and son. To protect each other they bravely hold their agony inside, where it festers.

Suzie will intrigue you with this darkly comic film. Dog captures frail, complex emotions that teeter on the edge of darkness, like when the father rubs his temples or like the lifeless swing of his arm after he flicks off the bedroom light.
Everything about this animation is wonderfully subtle and delicate. The puppets are beautifully crafted and the music is just right!
Winner of the 2002 BAFTA for best short animation and of the Grand Prix at the Ottawa Student Animation Festival

Esu 2

If you want to read the previous E.S.U. strip, click here.

Censored (2005)

Censored is a Video Performance by Gruppo Sinestetico.

The distinction between a government censor and a private one is not always clear. Many private entities receive governmental support through funding and other means. With such support often comes some degree of governmental oversight or control.

Art is supposed to be the expression of feelings, the visual representation of what the artist is feeling or trying to show. All people need to have the freedom to express opinions and feelings to the extent that is acceptable, but who is to say what is acceptable? The public should have a choice in deciding whether to view the resulting content. Censorship is always a very blunt tool.
Today, some artists can only choose to censor themselves if they really want to be free.
Art represents a person’s identity. In such cases self-censure is the only identity left to artists.

William Wegman's photography

William Wegman has created a series of compositions involving dogs, primarily his own Weimaraners in various costumes and poses.
Wegman's photos are well-respected in the art world, they are kept in permanent collections of the Hammer Museum, the Los Angeles County Museum of Art, the Montgomery Museum of Fine Arts and the Smithsonian American Art Museum. His photos and videos have also been a popular success and have appeared in books, advertisements, films, as well as on television programs like Sesame Street and Saturday Night Live. In 2006, Wegman's work was featured in a retrospective at the Brooklyn Museum, the Smithsonian American Art Museum, the Norton Museum of Art, and the Addison Gallery. The 2007 solo exhibition Funny/ Strange runs at the Wexner Center for the Arts from September 28 through December 10.
His books: Cinderella (Fay's Fairy Tales), Dress Up Batty, Everyday Problems, Farm Days, Mother Goose, Polaroids.
His dvds: William Wegman's Alphabet Soup, Fay's Twelve Days of Christmas, ARTPIX Notebooks: William Wegman Video Works 1970-1999, The Hardly Boys in Hardly Gold, Selected Video Works 1970-78, Dog Baseball 1986

Man and Whale (校長先生とクジラ, 2007)

Greenpeace commissioned Yamamura to make Man and Whale (校長先生とクジラ) as a part of their campaign to end Japanese whaling. Koji Yamamura has only 2 minutes to get his message across and he does so with great subtlety and his usual attention to detail.
Today, only one country in the world continues to conduct whaling in the Southern Ocean Whale Sanctuary: Japan.There was a time in Japan during the food shortage hardships of the postwar period when whale meat was taken as a valuable source of protein. We are alive today thanks in a very real sense to this gift, so should we not reach out in gratitude to whales now and seek a path of peaceful coexistence?
You can buy Koji Yamamura dvd.

Chiron

This is a page from Chiron, a self-published comic by Filippo Messina.

Sicko (2006)

Michael Moore interviews medics and investigators from private health insurance companies who admit denying legitimate claims for the most spurious technical reasons. According to Moore, it’s a scandal that can be traced back to Richard Nixon.
Health care isn't healthcare; bureaucracy, the labyrinth of paperwork and all legal language about pre-existing conditions and denial of service make having coverage as much of a challenge as lacking it.

To prepare for the film, Moore used the Internet to solicit health-care horror stories, not just from the 47 million Americans who don’t have insurance but from those who do. So he travels around to a bunch of countries that already have socialized medicine to see how they work and shows us how France, England, Canada and Cuba actually help sick people instead of letting them wither and die for lack of health insurance.

I don't know if we can accept Michael Moore's selected anecdotes as "proof", but the movie is very funny: only Moore can talk about political issues and make you laugh until you cry !
You can buy Sicko.

Tapeworks

by MARK KHAISMAN


AWARDS

International Animation Festival, Best Art Director Prize, Paris, 1988

OISTT competition "The Tour Theatre", Second Prize, Stockholm, 1986
UNESCO "Rehabilitation of a Decayed Urban Environment", Third Prize, Warsaw, 1982
World Architectural Biennale "The New Urban Space", Second Prize, Sofia, 1981

Vache Folle (1997)

Vache Folle is the first of Samuel Toruneux's short films. It won the Grand Prix IMAGINA 1997.
The picture quality is nice and bright. The sound is well done and uses the stereo mix very well.
A mad cow takes off from the prairie and flies away into a foolish trip. This is a very fun piece that takes you by surprise. I actually laughed a bit while I watched it.
You can also watch Meme le Pigeons vont au paradise.
You can buy Computer Animation Marvels.

E.S.U.

E.S.U. is a comic strip created by Carlo Coratelli and Davide Zamberlan. They began to issue E.S.U. on Il giornale dei fumetti (Free Comics Club) in October 2000. In June 2001, Cronaca di Topolinia issued new comic strips of E.S.U.; while the old stories are reprinted on the website ComicUs (where Coratelli is also editor and writes the column Movie Comics) and on the web-zine Cartaigienica. After five years of publications, Zamberlan retired, and Coratelli continued to issue E.S.U. with Eros Righetti, who is the author of 20, a comic series issued on Antani Comics.
Carlo Coratelli issued other webcomics: Distretto 41 (with Raffaele Aversa) and John Sanders: Reporter (with Andrea Briganti).

Berlin Film Festival 2008 - main prizes

The Golden Bear: "Tropa de Elite," directed by Jose Padilha

Silver Bear - The Jury Grand Prix: "Standard Operating Procedure," directed by Errol Morris

Silver Bear - Best Director: Paul Thomas Anderson, "There Will Be Blood"

Silver Bear - Best Actress:: Sally Hawkins in "Happy-Go-Lucky"

Silver Bear - Best Actor: Reja Nazi for "Song of Sparrows"

Silver Bear - Best Screenplay: Wang Ziaoshuai for "In Love We Trust" (Zuo You)

Silver Bear - Artistic Contribution: Jonny Greenwood for the score from "There Will Be Blood"

Best First Feature Award: "Asyl -- Park and Love Hotel," directed by Kumasaka Izuru

Alfred Bauer Prize: "Lake Tahoe," directed by Fernando Eimbcke

If you want to know who won the other prize, please click here.

Altavista (2006)

My dreams are of my dad, alive doing mundane things

Tealia Ellis Ritter

Selected Awards:

First Place Award at the Photographic Center Northwest Juried Member's Exhibition 2008,Awarded by Juror Marisa Sanchez, Assistant Curator of Modern and Contemporary Art, Seattle Art Museum
Awarded By The School of Art and Art History, The University of Iowa, the MFA Degree with the Schools Highest Honors of Commendation, May 2004
Awarded the Virgin M. Beall Fellowship for the 2003-2004 academic year, University of Iowa, School of Art and Art History
Recipient of Outstanding Columbia College Student Award May 24, 2000
First Place Award/Scholarship, Columbia College Chicago, 2000 Annual Hokin Honors Exhibit
Academic Excellence in Photography Scholarship, Columbia College Chicago, 1999

Kogepan

Kogepan (こげぱん, Kogepan) is a Japanese character from the company San-X. Kogepan, who lives in a panya (Japanese bakery), is a red bean bread who was accidentally burnt by a careless baker. No one would buy burnt bread or be nice to him, so Kogepan became an outcast with no emotion for others. He runs away from home, gets drunk off milk, smokes, and always says negative things about himself. Disillusioned with life, he roams the bakery making friends and being jealous of other bread items.

The anime series, animated by Studio Pierrot and produced by Pony Canyon, consisted of ten 4-minute shorts, the majority of which introduces simple aspects of the character.
The name comes from kogeru, meaning to burn or char, and pan, a word taken from the Portuguese and meaning bread.
You can download the other episodes, by clicking here.
You can buy Kogepan doll.

New Haircut

by Masha Krasnova-Shabaeva. She works as an illustrator for many magazines. She took part in more than 20 different exhibitions around the world.

No End in Sight (2007)

No End in Sight, which won the 2007 Special Jury Prize at Sundance (although it was released practically in secrecy), examines the failures of America’s ongoing occupation of Iraq. Narrated by actor Campbell Scott, this film retraces the U.S. government’s steps after the "fall" of Baghdad in April 2003.
Charles Ferguson utilizes on-camera interviews with key personnel intimately involved with the rebuilding of Iraq, including former Deputy Secretary of State Richard Armitage, Ambassador Barbara Bodine, Colonel Lawrence Wilkerson, former Chief of Staff to Colin Powell, and General Jay Garner , as well as Iraqi civilians, American soldiers and prominent analysts.

Emphasizing analysis over manipulation, the film details mistakes of the Bush administration. With a journalistic tone, Scott mostly recounts the facts of the occupation: one of the reasons for the postwar reconstruction’s collapse seems to be the administration’s lack of experience.
This documentary confirms what we thought we knew: American policy in Iraq was flawed from the start.
You can buy No End in Sight.

Three Portrait , Study 6

by Michael Kenna

AWARDS:
2003
Honorary Master of Arts, Brooks Institute, Santa Barbara, California, USA
2000
Chevalier of the Order of Arts and Letters, Ministry of Culture, France
1996
Golden Saffron Award, Consuegra, Spain
1989
Institute for Aesthetic Development Award, Pasadena, California, USA
1987
Art in Public Buildings Award, California Arts Council Commission, Sacramento, California, USA
1981
Imogen Cunningham Award, San Francisco, California, USA

BOOKS AND CATALOGS

2006 Hokkaido. Publishers: Nazraeli Press, USA. (English edition) and Shuppan Kyodosha (Japan edition). Text by Daido Moriyama. 84 photographs.
2006 In Japan . Publisher: RAM, Japan. Text by Ryuichi Kaneko. 53 photographs.
2004Retrospective Two. Publisher: Nazraeli Press, USA. Text by Anne W. Tucker. 130 photographs
2004 Ratcliffe Power Station. Publisher: Nazraeli Press, USA. Introduction by Jeremy Reed. 49 Photographs
2003 Boarding School. Publisher: Nazraeli Press, USA. Text by Michael Kenna. Limited edition. 8 Photographs.
2003 En Quete d’Horizon. Publisher: Chateau d’Eau Museum, France. Text by Jerome Bel. 18 Photographs
2003Et la Dentelle? Publishers: Marval, France (French edition) and Calais Lace, Nazraeli Press, USA (English edition). Preface by Frederic Mathieu. Text by Noel Jouenne. 50 Photographs
2002 Japan. Publishers: Nazraeli Press, USA (English edition) and Editions Treville, Japan (Japanese edition). Introduction by Kohtaro Iizawa. 95 Photographs
2002 A Twenty Year Retrospective. Publishers: Nazraeli Press, USA (English edition) and Editions Treville, Japan (Japanese edition). Reprint of 1994 Treville book. Essay by Ruth Bernhard. Introduction by Peter C. Bunnell. 130 photographs
2001 Easter Island. Publisher: Nazraeli Press, USA. Text by Michael Kenna. 44 Photographs
2001 L'impossible oubli. Publishers: Marval, France (French edition) and Impossible to Forget. Nazraeli Press, USA (English edition).Texts by Pierre Borhan and Clement Cheroux. 110 Photographs
2000 Night Work. Publisher: Nazraeli Press, USA. Preface by Debra Klochko. Text by Bill Jay, Tim Baskerville and Michael Kenna. 80 photographs
1999 Le Notre's Gardens. Publishers: The Huntington Library, Art Collections and Library, USA and Ram, USA. Text by Eric T. Haskell. Reprint with 60 photographs
1997 Monique's Kindergarten. Publisher: Nazraeli Press, USA. Text by John Bloom and Monique Grund. 63 photographs.
1997 The Rouge. Publishers: The Huntington Library, Art Collections and Library, USA and Ram, USA. Text by Eric T. Haskell. 40 photographs
1996 The Silverado Squatters by Robert Louis Stevenson. Publisher: Arion Press, USA. Limited Edition. Illustrated with 16 photographs.
1995 The Rouge. Publisher: Ram, USA. Preface by Ellen Sharp. Text by Lee R. Kollins.
50 photographs
1994 Michael Kenna: A 20 Year Retrospective. Publisher: Treville, Japan. Preface by Ruth Bernhard. Introduction by Peter C. Bunnell. 130 photographs.
1991 The Elkhorn Slough and Moss Landing. Publisher: The Elkhorn Slough Foundation, USA. Introduction by Mark Silberstein. 30 photographs.
1990 Le Desert de Retz. Publisher: Arion Press, USA. Preface by Olivier Choppin de Janvry. Introduction by Diana Ketcham. Limited edition. 37 photographs.
1990 Michael Kenna. Publisher: Min Gallery, Japan. Preface by Mayumi Shinohara. Introduction by Kohtaro Iizawa. 37 photographs.
1989 The Hound of the Baskervilles. by Arthur Conan Doyle. Publisher: Northpoint Press, USA. Reprint of 1985 Arion Press book. Illustrated with 53 photographs
1988 Night Walk. Publisher: Friends of Photography, USA. Preface by David Featherstone. Introduction by Jerome Tarshis. 44 photographs.
1987 MICHAEL KENNA 1977-1987. Publisher: Min Gallery, Japan. Preface by Robert Lassam. Introduction by Mark Johnstone. 37 photographs.
1985 The Hound of the Baskervilles. by Arthur Conan Doyle. Publisher: Arion Press, USA. Limited edition. Illustrated with 53 photographs.
1984 Michael Kenna: Photographs. Publisher: Stephen Wirtz Gallery and Weston Gallery, USA. Introduction by Jean Francois Chevrier. 18 photographs.

Peter and the Wolf (1946)

Before Suzie Templeton, Walt Disney produced an animated version of Peter and the Wolf .
Featuring narration by Sterling Holloway, Peter & the Wolf adds Walt Disney's touch to Prokofiev's masterpiece, telling the story of the brave young boy who takes it upon himself to go out hunting for a dangerous wolf, while accompanied by a bird, a duck, and a cat. Rather than featuring dialogue, each character is voiced by a different musical instrument.
The design of Peter is particularly generic, kind of a mix between Pinocchio and Wendy's brother in Peter Pan. But this 1946 version of Prokofiev's "Musical Fairy-Tale" is probably my favourite of Disney's adaptations, but it isn't my favourite Peter and the Wolf adpatation: I prefer the Suzie Templeton adaptation.
It was released theatrically as a segment in Make Mine Music, then re-issued the following year accompanying a re-issue of Fantasia (as a short subject before the film), then separately on home video in the 1990s.
You can buy Peter & the Wolf.

Virus 2

You can read other stories about Agent Rocco on the Agente Rocco website.

Chimps

Beagles & Ramsay have worked collaboratively since 1997. Their works have been exhibited internationally.
The anxieties, both cultural and social, that run through the work of Beagles and Ramsay read like a contemporary chronology of perceived malaise. They create a body of work capable of articulating the absurd, disturbing and humorous character of contemporary culture. Ultra-violence and other forms of poor taste in our culture signal the end of that patronizing and paternalistic cultural leadership which had hoped to use the technologies of mass culture to improve the impoverished and raise the moral standards of the nation.

Hotel Room

by Jennifer Loeber

AWARDS
2007, Honorable Mention, PX3 Prix De La Photographie Paris, Paris, France

SELECTED PUBLICATIONS
Group-show.com, Glamour Magazine, File Magazine, F-Stop Magazine

FILMOGRAPHY
2007, Fish Kill Flea, feature-length documentary (Co-Director)

Kumo to churippu (1943)

Kenzo Masaoka's The Spider and the Tulip (Kumo to churippu, 1943) is a legendary title which would influence Isao Takahato's works in the future.
This short film reminds one of the style of a "Silly Symphony" and it isn't very original: it doesn't seem Japanese, it's too "American". However, it deserves attention because the animation is particularly brilliant in technique.

Virus 1

You can read other stories about Agent Rocco on the Agente Rocco website. The drawings and the story are by Federico Rettondini. He took a degree at the European Institute of Design. He works for Area Grafica of Match Music Satellite, where he produces tv post productions.

Operation Homecoming (2005)

Structured around the poetic, the comic and chilling writings of men and women posted in Iraq, this documentary explores firsthand accounts of American soldiers through their own words. The film is built upon a project created by the National Endowment for the Arts to gather the writing of soldiers and their families who have participated in the wars in Iraq and Afghanistan. Through interviews and dramatic readings by such actors, the film transforms selections from this collection of writing into a deep examination of the experiences of the men and women who are serving in America's armed forces. Robbins is trying to present the soldiers' point-of-view without mixing it with politics. He offers a humanizing study of the soldiers who have suffered through the dehumanization of war.

At the core of the writing in Operation Homecoming is a deep desire by all those who have served in war to come to terms with their experiences. Through an extraordinary group of men and women it presents a profound window into the human side of America’s current conflicts.

Robbins steers clear of making judgments about the war itself; Operation Homecoming's message, on the other hand, seems to be simply that war is bad and that it kills people. The stories recounted here are sad, funny, violent and uplifting. Yet each one displays an honesty and intensity that is rarely seen in explorations of the war.
You can buy Operation Homecoming.

Bump

by Milton Knight

He writes and draws comic books and comic strips for magazines and small newspapers, illustrates and designs record covers, posters, candy and T-shirts, and exhibits paintings. He spent the 1980's on the outskirts of the "radical art scene" of the East Village.

Le Cadeau du Temps (2007)

Zune Arts has released a new video by Corey Godbey, a visual sculptor for Portland Studios. Le Cadeau du Temps explores the power of sharing and personal connection through the eyes of a man given the gift of eternal life. The use of texture and color in the animation blends seamlessly with the musical backdrop to create a deeply emotional connection with the viewer.
In his blog, Godbey describes the entire filmmaking process, along with visual references for each step of the procedure.

Holiday Happiness

by Joel Trussel

Catwoman Resolution (2006)

Everyone feels the pressure to improve their lifestyle for New Year's Eve, including Catwoman's alter ego, Seline Kyle. Reflecting on her existence leads her to give up her life of crime, but not before 'borrowing' a designer necklace for her New Year's Eve party. When a crime lord orders the return of the jewelry, can she keep her resolution while fighting for her life?

Colin Bankeston makes documentaries, promos and music videos. He's a skilled cameraman and editor, with work shown on many UK TV channels including the BBC and ITV.

Sex sells 04/09

by Klaus Muenzner, founder member of Neunplus.

UGOKIE-KO-RI-NO-TATEHIKI (動絵狐狸達引, 1933)

Repo man is back!

Do you remember the 1980's cult film “Repo Man”? Now it has an official sequel "Waldo's Hawaiian Holiday" - in graphic novel form... with a script by original writer/director Alex Cox. It issued by Gestalt Comics.

You can buy Repo Man, Waldo's Hawaiian Holiday.

Ulisse 3

by Gioma.
If you want to read the former strip, click here.

Taxi to the Dark Side (2007)

Taxi to the Dark Side is a serious film about the future of America. It may be shocking and disturbing as its title implies, because the subject matter is torture as a weapon of choice in the War Against Terror, but it has great visual grace and assurance: Gibney edits the material for maximum clarity and impact. His shots are beautiful and unexpectedly tranquil.

The case of Dilawar, an Afghan taxi driver, beaten to death in 2002 while in U.S. military custody forms the heart of this examination of the abuses committed during the detainment and interrogation of political prisoners. The film uncovers an inescapable link between the tragic incidents that unfolded in Bagram and the policies made at the very highest level of the United States government in Washington, D.C. Combining the cool detachment of a forensic expert with the heated indignation of a proud American who holds his country to a high standard, Gibney’s film reveals how the Bush administration has systematically betrayed the very ideals it professes to uphold.
From Dilawar's sad and purposeless death Gibney spirals his story outward to encompass the whole of the Bush administration's post-9/11 attitude toward torture, detention, and the rules of war. Far from being a leftist cry of hysteria, it deliberately and devastatingly lays out its case through interviews with and news footage about a wide range of subjects: fellow prisoners at Bagram; Carlotta Gall and Tim Golden, who reported on Dilawar’s story for The New York Times; etc.
You can buy Taxi to the Dark Side.

Phone Conversation

by Douglas Stockdale

The Pearce Sisters (2007)

The Pearce Sisters, directed by Aardman director Luis Cook, tells the black-hearted tale of two weather-beaten old spinsters who live on a remote strip of coast and eke out a rather dismal existence from catching and smoking fish. One day they heave a half-drowned sailor out of the sea and set about reviving him – but when he fails to appreciate their efforts, a dark and grim aspect of the sister’s way of life is revealed…

Luis Cook wanted somehow to mix 3d cgi with 2d. So he animated everything in the computer with cg models and then printed the frames out and worked them over in 2d. He then filled in the details and expressions and scanned it all over again in 3d. The 3d gives the characters a sense of reality, weight and volume which is important to the narrative. To hold it all together aesthetically Cook produced a fully rendered design for all 180 of the shots. The backgrounds were taken from the Photoshop layers as were all the textures placed on the models.
Dialogue-free and chock-full of animation, the characters are harsh and unpleasant in appearance. Every detail is visible, from the strands in a bundle of fish nets to the rain beating on their weathered faces.

BAFTA awards 2008

BEST FILM

AMERICAN GANGSTER – Brian Grazer/Ridley Scott
ATONEMENT – Tim Bevan/Eric Fellner/Paul Webster
THE LIVES OF OTHERS – Quirin Berg/Max Wiedemann
NO COUNTRY FOR OLD MEN – Scott Rudin/Joel Coen/Ethan Coen
THERE WILL BE BLOOD – JoAnne Sellar/Paul Thomas Anderson/Daniel Lupi

BEST BRITISH FILM

ATONEMENT – Tim Bevan/Eric Fellner/Paul Webster/Joe Wright/Christopher Hampton
THE BOURNE ULTIMATUM – Frank Marshall/Patrick Crowley/Paul L Sandberg/Paul Greengrass/Tony Gilroy/Scott Z Burns/George Nolfi
CONTROL – Orian Williams/ Todd Eckert/Anton Corbijn/Matt Greenhalgh
EASTERN PROMISES – Paul Webster/Robert Lantos/David Cronenberg/Steve Knight
THIS IS ENGLAND – Mark Herbert/Shane Meadows

THE CARL FOREMAN AWARD for Special Achievement by a British Director, Writer or Producer in their First Feature Film

CHRIS ATKINS (Director/Writer) – Taking Liberties
MIA BAYS (Producer) – Scott Walker: 30 Century Man
SARAH GAVRON (Director) – Brick Lane
MATT GREENHALGH (Writer) – Control
ANDREW PIDDINGTON (Director/Writer) – The Killing of John Lennon

DIRECTOR

ATONEMENT – Joe Wright
THE BOURNE ULTIMATUM – Paul Greengrass
THE LIVES OF OTHERS – Florian Henckel von Donnersmarck
NO COUNTRY FOR OLD MEN – Joel Coen/Ethan Coen
THERE WILL BE BLOOD – Paul Thomas Anderson

ORIGINAL SCREENPLAY

AMERICAN GANGSTER – Steven Zaillian
JUNO – Diablo Cody
THE LIVES OF OTHERS – Florian Henckel von Donnersmarck
MICHAEL CLAYTON – Tony Gilroy
THIS IS ENGLAND – Shane Meadows

ADAPTED SCREENPLAY

ATONEMENT – Christopher Hampton
THE DIVING BELL AND THE BUTTERFLY – Ronald Harwood
THE KITE RUNNER – David Benioff
NO COUNTRY FOR OLD MEN – Joel Coen/Ethan Coen
THERE WILL BE BLOOD – Paul Thomas Anderson

FILM NOT IN THE ENGLISH LANGUAGE

nominations announced on Friday 4 January

THE DIVING BELL AND THE BUTTERFLY – Kathleen Kennedy/Jon Kilik/Julian Schnabel
THE KITE RUNNER – William Horberg/Walter Parkes/Rebecca Yeldham/Marc Foster
THE LIVES OF OTHERS – Quirin Berg/Max Wiedemann/Florian Henckel von Donnersmarck
LUST, CAUTION – Bill Kong/James Schamus/Ang Lee
LA VIE EN ROSE – Alain Goldman/Olivier Dahan

ANIMATED FILM

RATATOUILLE – Brad Bird
SHREK THE THIRD – Chris Miller
THE SIMPSONS MOVIE – David Silverman

LEADING ACTOR

GEORGE CLOONEY – Michael Clayton
DANIEL DAY-LEWIS – There Will Be Blood
JAMES McAVOY – Atonement
VIGGO MORTENSEN – Eastern Promises
ULRICH MÜHE – The Lives of Others

LEADING ACTRESS

CATE BLANCHETT – Elizabeth: The Golden Age
JULIE CHRISTIE – Away From Her
MARION COTILLARD – La Vie en Rose
KEIRA KNIGHTLEY – Atonement
ELLEN PAGE – Juno

SUPPORTING ACTOR

JAVIER BARDEM – No Country for Old Men
PAUL DANO – There Will Be Blood
TOMMY LEE JONES – No Country for Old Men
PHILIP SEYMOUR HOFFMAN – Charlie Wilson’s War
TOM WILKINSON – Michael Clayton

SUPPORTING ACTRESS

CATE BLANCHETT – I’m Not There
KELLY MACDONALD – No Country for Old Men
SAMANTHA MORTON – Control
SAOIRSE RONAN – Atonement
TILDA SWINTON – Michael Clayton

MUSIC

AMERICAN GANGSTER – Marc Streitenfeld
ATONEMENT – Dario Marianelli
THE KITE RUNNER – Alberto Iglesias
THERE WILL BE BLOOD – Jonny Greenwood
LA VIE EN ROSE – Christopher Gunning

CINEMATOGRAPHY

AMERICAN GANGSTER – Harris Savides
ATONEMENT – Seamus McGarvey
THE BOURNE ULTIMATUM – Oliver Wood
NO COUNTRY FOR OLD MEN – Roger Deakins
THERE WILL BE BLOOD – Robert Elswit

EDITING

AMERICAN GANGSTER – Pietro Scalia
ATONEMENT – Paul Tothill
THE BOURNE ULTIMATUM – Christopher Rouse
MICHAEL CLAYTON – John Gilroy
NO COUNTRY FOR OLD MEN – Roderick Jaynes

PRODUCTION DESIGN

ATONEMENT – Sarah Greenwood/Katie Spencer
ELIZABETH: THE GOLDEN AGE – Guy Hendrix Dyas/Richard Roberts
HARRY POTTER AND THE ORDER OF THE PHOENIX – Stuart Craig/Stephenie McMillan
THERE WILL BE BLOOD – Jack Fisk/Jim Erickson
LA VIE EN ROSE – Olivier Raoux/Stanislas Reydellet

COSTUME DESIGN

ATONEMENT – Jacqueline Durran
ELIZABETH: THE GOLDEN AGE – Alexandra Byrne
LUST, CAUTION – Pan Lai
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET – Colleen Atwood
LA VIE EN ROSE – Marit Allen

SOUND

ATONEMENT – Danny Hambrook/Paul Hamblin/Catherine Hodgson/Becki Ponting
THE BOURNE ULTIMATUM – Kirk Francis/Scott Millan/David Parker/Karen Baker Landers/Per Hallberg
NO COUNTRY FOR OLD MEN – Peter Kurland/Skip Lievsay/Craig Berkey/Greg Orloff
THERE WILL BE BLOOD – Christopher Scarabosio/Matthew Wood/John Pritchett/Michael Semanick/Tom Johnson
LA VIE EN ROSE – Laurent Zeilig/Pascal Villard/Jean-Paul Hurier/Marc Doisne

SPECIAL VISUAL EFFECTS

THE BOURNE ULTIMATUM – Peter Chiang/Charlie Noble/Mattias Lindahl/Joss Williams
THE GOLDEN COMPASS – Michael Fink/Bill Westenhofer/Ben Morris/Trevor Wood
HARRY POTTER AND THE ORDER OF THE PHOENIX – Tim Burke/John Richardson/Emma Norton/Chris Shaw
PIRATES OF THE CARIBBEAN: AT WORLD’S END – John Knoll/Charles Gibson/Hal Hickel/John Frazier
SPIDER-MAN 3 – Scott Stokdyk/Peter Nofz/John Frazier/Spencer Cook

MAKE UP & HAIR

ATONEMENT – Ivana Primorac
ELIZABETH: THE GOLDEN AGE – Jenny Shircore
HAIRSPRAY – Judi Cooper Sealy/Jordan Samuel
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET – Ivana Primorac/Peter Owen
LA VIE EN ROSE – Jan Archibald/Didier Lavergne

SHORT ANIMATION

THE PEARCE SISTERS – Jo Allen/Luis Cook
HEAD OVER HEELS – Osbert Parker/Fiona Pitkin/Ian Gouldstone
THE CRUMBLEGIANT – Pearse Moore/John McCloskey

SHORT FILM

DOG ALTOGETHER – Diarmid Scrimshaw/Paddy Considine
HESITATION – Julien Berlan/Michelle Eastwood/Virginia Gilbert
THE ONE AND ONLY HERB MCGWYER PLAYS WALLIS ISLAND – Charlie Henderson/James Griffiths/Tim Key/Tom Basden
SOFT – Jane Hooks/Simon Ellis
THE STRONGER – Dan McCulloch/Lia Williams/Frank McGuinness

THE ORANGE RISING STAR AWARD

(voted for by the public) – nominees announced on Tuesday 8 January

SHIA LABEOUF
SIENNA MILLER
ELLEN PAGE
SAM RILEY
TANG WEI

In The Bathroom (Al Bagno)

Studies by Tolin.

He's the creator of Al Bagno, Galassie Perdute, Maya and Le ultime dieci. He's also the screenwriter of Un giorno da eroe. His works are issued on Mono and Be Side.

He's one of the charter members of Edizioni Bertuccia, where he also makes lettering and paging.

He's also an actor, a co-producer and a coplot-writer for apollo54.

War/Dance (2007)

War/Dance narrates the story of Dominic, Rose and Nancy, three children whose families have been torn apart, their homes destroyed, and who currently reside in a displaced persons camp in Patongo. They're preparing to enter a music competition that offers them a lifeline of hope.
The war stole everything from them, except their music. These children and their families rose above the atrocities of war to achieve greatness within their community and their country. The music made feel them good and helped them to wipe away their pain.

Sean Fine and Andrea Nix Fine received a call from a non profit organization, Shine Global, about making a film to raise awareness about one of the world's worst child soldier situations in northern Uganda. They accepted to shoot the Uganda children's pain. They blended the history, facts and background as much as they could so they could focus on telling a truly human story in the kids' own voices. "War/Dance" earned the couple the Directing Award at Sundance in January as well as the audience prize for best doc at the Wisconsin Film Festival. And now War/Dance has a nomination at the 80th Academy Award.
This upbeat documentary shows the healing powers of music, song, and dance on these brutalized and traumatized youth. It's astounding how the film showed the resilience of the human spirit in the worst of circumstances. In War/Dance we rediscover the power of traditional art, dance and music.
You can buy War Dance.

The Road

by Joakim Eskildsen. His publications include Nordic Signs (1995), Bluetide (1997), iChickenMoon (1999), which was awarded Best Foreign Title of 2000 in the Photo-Eye Books & Prints Annual Awards, the portfolio al-Madina (2002), which was made in collaboration with Kristoffer Albrecht and Pentti Sammallahti, and the book The Roma Journeys (2007, Steidl).

Exhibitions:

Le romané phirmimàta, Robert Morat, Hamburg 2008

Le romané phirmimàta, Städtische Galerie, Iserlohn 2008

Roma rejserne, Nikolaj Copenhagen Contemporary Art Center 2007

Romska resor, Kulturhuset, Stockholm 2007

Le romané phirimàta, Amos Anderson Art Museum, Helsinki 2007

Nordic Signs, Synart Art Gallery, Frankfurt/Main 2006

iChickenMoon, Synart Art Gallery, Frankfurt/Main 2005

iChickenMoon, Galleri Image, Århus 2003

Nordic Signs & iChickenMoon, Galerie Albrecht, Munich 2002 & 2003

Orientation, Städtische Galerie Iserlohn 2003

iChickenMoon, Galerie Pernkopf, Berlin 2002

Requiem & Nordic Signs, Galerie Fotohof, Salzburg 2001

Segni del Nord, ACTA Internazionale, Rome 1999

Bluetide, Galleri INTO, Helsinki 1997

Bluetide, Billedhuset, Copenhagen 1997

Nordic Signs, Center of Photography, Jyväskylä 1997

Nordic Signs, Fotografisk Galleri, Copenhagen 1996

Nordic Signs, Galleri UP, Stockholm 1996 & 1998

Nordic Signs, Laterna Magica, Helsinki 1996

Nordtegn, Galleri Image, Århus 1995

Nordtegn, Museet for Fotokunst, Platformen, Odense 1994

Everything Will Be Ok (2008)

For the past 12 years, Indie animator Don Hertzfeldt has created a series of inspiring, quirky, hand-drawn shorts which have delighted festival goers all over the world. He was also curator of the popular and influential semi-annual shorts showcase The Animation Show with Mike Judge.

Everything Will Be Ok and all of its special effects were photographed and carefully composited "in camera" - no CG was used in the production. Hertzfeldt generally uses 12 images per second, so a single minute of screen time requires him to draw 720 individual frames. He continues to use the old-fashioned pen-and-paper camera animation he learned in the mid-90s as a student at the University of California, Santa Barbara.

His most recent films, with their elaborate optical effects, have required even more painstaking effort. But the result is dark and hilarious, and it's increasingly expressive!
Herzfeldt will drive you wild with his last short film! You think you're watching a gag, but instead you're watching a careful consideration about the banality of our lives.
The banal life of a young man is represented by stick figures and described by a monotonous narrator. It's the first time Herzfeldt uses an omniscient narrator to carry the story: a series of dark and troubling events forces Bill to reckon with the meaning of his life - or lack thereof.
The stick figures and the narration make the banality of his life funny.

Ulisse 2

by Gioma.
If you want to read the former strip, click here.

The Haze (2008)

Anthony Chen served as a radio presenter, a freelance movie reviewer and has done work as an actor. He directed G-23, which won awards in Korea, France, Belgium, Malaysia and Singapore, and Ah Ma, which was given an award at the 60th Cannes Film Festival.

On a hot, humid day, Singapore is shrouded by the haze caused by a burning forest in neighbouring Indonesia. Two teenagers decide to skip school and idle the day away. An innocent love affair plays out indoors amidst the dust and smoke that spreads outside.
The Haze aims to capture our youthfullness, in all its aspects: rebellion, recklessness, unpretentiousness, ignorance and innocence. First love can be awkward, selfish, beautiful and sinful at the same time.
In these days you can watch this short film at the Berlin Film Festival.

Kawarenushi

Audrey Kawasaki. Her work is both innocent and erotic. Each subject is attractive yet disturbing. The figures she paints are seductive and contain an air of melancholy. They exist in their own sensually esoteric realm, yet at the same time present a sense of accessibility that draws the observer to them.

Your Friend the Rat (2007)

Your Friend the Rat provided Pixar Studio with opportunities for experimentation. Pixar studio experimented with playing around with new medium. Well, it was actually old medium again, but they're doing it in 2D and stop motion, etc. At 11 minutes, it is also the longest Pixar short to date. Along with hand drawn animation, the short also includes stop-motion animation, computer generated imagery and live action.
The short features Remy & Emile as they guide viewers through the history of the rat and attempt to correct some common misperceptions in an effort to persuade human viewers not to kill the ubiquitous rodents.
Your Friend the Rat was nominated in the Best Animated Short Subject category at the 35th annual Annie Awards. The short was directed by Jim Capobianco, who says he was particularly inspired by Ward Kimball, and was written by Jeff Pidgeon and Alexander Woo.
It is available on the Ratatouille dvd and Blu-ray.

Lucca '07

Andrea Altea. His first work was the comics strip ITIS. People appreciated his comic strip, then Altea chose to change the background to create a new novel: ITIS on the road. He began to issue it on the Web, but he gave that up in 2006.
He launched The Krishtel blog, where he'll issue a new comics strip. In the summer of 2007 he came in third in the Usellus competition, and he won the audience award. He also began to issuing on Macchie D'inchiostro.

Symphonie Diagonal (1925)

Symphonie Diagonal is one of my favourtite experimental short films, although it exists today only in fragments. In this short film, the emphasis is on objectively analyzed movement rather than expressiveness on the surface patterning of lines into clearly defined movements, controlled by a mechanical, almost metronomic tempo: vertical and horizontal, straight and curved, light and dark, strong and weak, disappearing and emerging. Various ‘expressions’ of line are presented at a controlled, mechanical tempo, revealing the film’s acute observation of the organization of time intervals. Visual imagery has a melodic quality, like a musical composition visually expressed.

Symphonie Diagonal has been described as absolute film and Visual Music. Itself film’s title suggests musical associations and Eggeling himself referred to his early drawing experiments as orchestrations. It was considered by many to be the "first" true abstraction in animation. He explored the depiction of movement, first in scroll drawings and then on film. In 1922 Eggeling bought a motion picture camera, and working without Richter, sought to create a new kind of cinema. In 1923 he showed a now lost, 10 minute film based on an earlier scroll titled Horizontal-vertical Orchestra. In the summer of 1923 he began work on Symphonie Diagonale. Paper cut-outs and then tin foil figures were photographed a frame at a time. He spent three or four years on it and died less than three weeks after its first showing in 1925.

You can buy: Avant Garde - Experimental Cinema of the 1920s & 1930s

The Plane Cabby’s Lucky Day (1932)

There is an abundance of startling creativity and ingenuity in this short. Teizo Kato’s The Plane Cabby’s Lucky Day (1932) describes a 1980 automated Japan where urban transportation takes place in the sky. The plane cab driver espouses traditional values, looking after his mother and maintaining a strong sense of justice.
The futuristic utopian setting is more parallel to the early cartoons of the West. There are politically incorrect images of natives who sing and dance all day because they live in paradise.

Grand People’s Study House

by Charlie Crane

Publications
2007 Welcome to Pyongyang, published by Chris Boot

Awards
2007 Association of Photographers Silver Award
2006 Association of Photographers Judges Choice
2006 National Portrait Gallery Awards Semi-Finalist
2006 Winner of British Journal of Photography Award
2005 Association of Photographers Bronze Award
2005 Schweppes Portrait Awards Final Selection
1998 Kodak Photographer of the Year

Iraq in fragments (2006)

In 2002, when it was already clear that the United States would invade Iraq, James Longley traveled there to begin pre-production work on his second
documentary feature, Iraq in Fragments. The film was released in 2006 to critical acclaim and received many awards including an Academy Award nomination for 2007 Best documentary feature. Now Longley has realized his third short movie, Sari's Mother, which received an Academy Award nomination, too.

This is a film about Iraq as a country and also about its people. Longley documents every single thing. He wanted to film ten stories at once, all in different parts of the country. In the end, he only filmed six different stories. He put only three of those stories into the final film. Iraq In Fragments illuminates post-war Iraq in three acts, building a vivid picture of a country pulled in different directions by religion and ethnicity. Filmed in verité style, with no scripted narration, the film explores the lives of ordinary Iraqis: their thoughts, beliefs and aspirations. It presents many layers and points of view, reflecting the diversity of a country with an uncertain future. Longley gets close and personal in his film, and he chose the cinema verité approach thus putting the viewer inside the lives of his subjects. This short film introduces the viewer to the breadth and complexity of the Iraqis divided along these lines, but the reality of Iraq is much more complicated.
You can buy Iraq in Fragments.

Saru Masamune (1930)

People think they know what anime are. How many people are familiar with classic Japanese animations? Japanese films were more conservative then than they are today and they tended to re-assert their own cultural identity and set of values. Many short films glorify the exploits of former military heroes.

In these days, the Japan Society of New York, presents Dawn of Japanese Animation, a screening of 38 animated films, from February 13th through the 16th. If you like anime, you must go to New York. If you can't, don't worry. Mellart will help you. We'll begin with Yasuji Murata's Saru Masamune (1930), based on the legend of how the great Japanese swordsmith, Masamune, received a sword from a tribe of monkeys after rescuing one of them from a hunter with a gun.
You can buy: Animated Classics of Japanese Literature - The Sound of Waves, Parts 1 & 2/ Growing Up, Animated Classics of Japanese Literature - The Izu Dancer, Animated Classics of Japanese Literature: The Harp of Burma/Season of the Sun and Animated Classics of Japanese Literature - Botchan

Ulisse

Gioma is an Italian cartoonist, who gained success with his strip Ulisse. He's also famous for his satirical comics.

He began to issue this comics in newspapers. After ten years of pubblications he chose the web and the magazine Il foglio letterario which will release the TPB "Ulisse. Fumetti di Gioma".

Madame Tutli Putli (inspiration, 2007)

You might be interested in Madame Tutli Putli (integral video), in The making of Madame Tutli Putli and in Madame Tutli Putli(eyes created by Jason Walker)

Tonto Woman (2008)

The Tonto Woman is based on Elmore Leonard’s short story of the same. The 35 minute long western shot on 35mm & posted in HD, directed by Daniel Barber of Knucklehead, was a collaboration between himself, writer Joe Schrapnel, DP Ben Davis (Layer Cake, Stardust) and Knucklehead’s Producer Matthew Brown. This film is about a cattle rustler who meets a woman living in isolation after being held prisoner for eleven years by the Mojave Indians.

Shot in Almeria, Spain over the course of ten days utilizing some of the locations and sets seen previously in the classic Westerns 'A Fistful of Dollars' and 'The Good the Bad and the Ugly' it stars Francesco Quinn and Charlotte Asprey. Editing was carried out by Rick Russell.The post-production was supervised by Jason Watts, who worked on nearly all of the shots and where necessary generated 2D dust particles to help heighten the tense atmosphere in many of the confrontational shots.
You can buy the novel The Tonto Woman and Other Western Stories.

El Bufón y la Infanta (2007)

“El Bufón y la Infanta” is a short film, produced by Dygra Films, which is inspired by Oscar Wilde's novel "The Birthday of the Infant ". The action is developed in a room of a museum dedicated to Vela'zquez, where the dwarf Francisco de Lezcano leaves his picture, calling the attention of Margarita, the daughter of the king . She leaves her picture, too.
It's a mute, magic story which show us how different could be the reality.

Stella

by Richard Learoyd

Le Mozart des Pickpockets (2006)

Pollet-Villard, who wrote, co-starred and directed this droll tale of two Paris pickpockets, has won the Gallic Audience Prize and the FNAC budding talent award.

Like Philippe Pollet-Villard's other films, this story is of the same kind: tragi-comical. All of the characters in his movies are in difficult situations or trying to escape from them. It is a context which I collocate between social film and large comedy. On the one hand we have authorship film with regard to social themes and on the other we have a comedy which treats stories of couples and other subjects.
Philippe and Richard live off petty scams in the Parisian neighborhood of Barbès. They find themselves responsible for a deaf-mute Romanian child. After trying to get rid of the child, they attempt to make him 'work.' Despite the language barrier, the boy manages to devise his own method of stealing.

Perpetuum Mobile (2006)

“Perpetuum Mobile”, a short film produced by Silverspace, written and directed by Raquel García-Ajofrín Virtus and Enrique García Rodríguez, is the first cinematographic project produced and directed entirely by Silverspace. They used Autodesk’s Maya 3D modelling and animation software along with Pixar’s Renderman, and Autodesk Combustion, a compositing software, for colour grading and compositing.

Its plot narrates the life of a young Leonardo Da Vinci and recollects the events that motivated the young genius to dedicate his life to art and science. The film is interesting for its search for the meaning of life.
Perpetuum Mobile has already received 12 award nominations and has won awards at the Independent Film Festival of California, L´Uovo de Napoli, the Las Vegas International Film Festival and the Oregon Da Vinci Film Festival. The film has also been translated into 12 different languages and was shown at SIGGRAPH 2007 and the Sitges Cinema Festival in Catalunya, Spain.

Depressed Superheroes (Supereroi depressi)

by Pierrluigi Diana

Tooth and Nail (1970)

Dennis Oppenheim is one of America's finest and most creative conceptual and performance artists. He first gained acclaim in the 1960s, as a pioneer in conceptual artworks, body art, video and sculpture. As if all this wasn't enough, the man is still working on his art even as you're reading this. His early works tended to focus on performance actions that centered on representations of human and animal bodies. These actions can often be seen as mesmerizing, confusing, and mysterious.

In the early 1970s, Dennis Oppenheim was in the vanguard of artists using film and video to investigate themes relating to body and performance. This portfolio features a selection of his works known as the Aspen Tapes, produced between 1970 and 1974, in which Oppenheim uses his own body as a site of experimentation in the personal. In these works the artist enters into an intimate and dynamic dialogue with his body as he explores the boundaries of personal risk, bodily transformation, and interpersonal communication. His works explore new and unusual forms of communication and address and they present the act of communicating with others as a physical and biological extension of the self.
Oppenheim has therefore created a system that allows the artist to become the material; to consider himself the sole vehicle of art: the distributor, initiator and receiver, simultaneously. Understanding the body as both subject and object allows the artist to think in terms of an entirely different surface. It creates a shift in direction from the creation of solid matter to the pursuit of internal or surface change.

You can buy:Tooth and Nail: Film and Video 1970-74 by Dennis Oppenheim, Parallel Realities: The Drawings of Dennis Oppenheim and Dennis Oppenheim: Galloping Through the West.

La Flor Más Grande del Mundo (2007)

Based on the novel of the same name by Jose Saramago, 'La Flor Más Grande del Mundo(The World's Largest Flower)' is a poetic juvenile story that proclaims the value of small actions and respect for the nature. Juan Pablo Etcheverry, who was nominated for the best Goya 2005 with the short animation' Minotauromaquia, Pablo en el laberinto', has begun again to fuse digital effects with plasticine. One of the characters in La Flor Más Grande del Mundo is actually Jose Saramago, who narrates the story.

This short film, full of symbols and enigmas, is aimed at the childhood audience that is growing in a world which has not yet being broken by individualism, violence and the lack of ideals. In this short film we can find two messages, one for children (the discovery of our value and altruism) and another one for all men and women who interrogate themselves about their place in the world.

You can watch the video here.

You buy the novel LA Flor Mas Grande Del Mundo/the World's Largest Flower.

Goya Awards

BEST FILM / MEJOR PELÍCULA
El Orfanato / The Orphanage by Juan Antonio Bayona
La Soledad by Jaime Rosales
Las 13 rosas by Emilio Martínez-Lázaro
Siete mesas de billar francés by Gracia Querejeta

BEST SPANISH-LANGUAGE FOREIGN FILM / MEJOR PELÍCULA EXTRANJERA DE HABLA HISPANA
La edad de la peseta by Pavel Giroud de Cuba
Mariposa negra by Francisco J. Lombardi de Perú
Padre nuestro by Rodrigo Sepúlveda de Chile
XXY by Lucía Puenzo de Argentina

BEST DOCUMENTARY / MEJOR PELÍCULA DOCUMENTAL
El productor by Fernando Méndez-Leite
Fados by Carlos Saura
Invisibles by Isabel Coixet, Win Wenders, Fernando León de Aranoa, Mariano Barroso and Javier Corcuera
Lucio by Aitor Arregui and José Mª Goenaga

BEST ANIMATED FEATURE / MEJOR PELÍCULA DE ANIMACIÓN
Azur y Asmar by Michel Ocelot
Betizu eta urrezko zintzarria by Egoitz Rodríguez Olea
En busca de la piedra mágica by Lenard F. Krawinkel and Holger Tappe
Nocturna, una aventura mágica by Víctor Maldonado and Adriá García

BEST DIRECTOR / MEJOR DIRECCIÓN
Icíar Bollaín for Mataharis
Emilio Martínez-Lázaro for Las 13 rosas
Gracia Querejeta for Siete mesas de billar francés
Jaime Rosales for La Soledad

BEST NEW DIRECTOR / MEJOR DIRECCIÓN NOVEL
Juan Antonio Bayona, for El Orfanato / The Orphanage
Tom Fernández, for La Torre de Suso
David and Tristán Ulloa, for Pudor
Félix Viscarret, for Bajo las estrellas

BEST ACTOR / MEJOR INTERPRETACIÓN MASCULINA PROTAGONISTA
Alfredo Landa, for Luz de domingo
Álvaro de Luna, for El prado de las estrellas
Alberto San Juan, for Bajo las estrellas
Tristán Ulloa, for Mataharis

BEST ACTRESS / MEJOR INTERPRETACIÓN FEMENINA PROTAGONISTA
Blanca Portillo, for Siete mesas de billar francés
Belén Rueda, for El Orfanato / The Orphanage
Emma Suárez, for Bajo las estrellas
Maribel Verdú, for Siete mesas de billar francés

BEST SUPPORTING ACTOR / MEJOR INTERPRETACIÓN MASCULINA DE REPARTO
Raúl Arévalo, for Siete mesas de billar francés
José Manuel Cervino, for Las 13 rosas
Julián Villagrán, for Bajo las estrellas
Emilio Gutiérrez Cava, for La Torre de Suso
Carlos Larrañaga, for Luz de domingo

BEST SUPPORTING ACTRESS / MEJOR INTERPRETACIÓN FEMENINA DE REPARTO
Amparo Baró, for Siete mesas de billar francés
Geraldine Chaplin, for El Orfanato / The Orphanage
Nuria González, for Mataharis
María Vázquez, for Mataharis

BEST NEW ACTOR / MEJOR ACTOR REVELACIÓN
Óscar Abad, for El prado de las estrellas
Gonzalo de Castro, for La Torre de Suso
Roger Princep, for El Orfanato / The Orphanage
José Luis Torrijo, for La Soledad

BEST NEW ACTRESS / MEJOR ACTRIZ REVELACIÓN
Gala Évora, for Lola, la película
Bárbara Goenaga, for Oviedo Express
Nadia de Santiago, for Las 13 rosas
Manuela Velasco, for Rec

BEST ORIGINAL SCREENPLAY / MEJOR GUIÓN ORIGINAL
Icíar Bollaín and Tatiana Rodríguez, for Mataharis
Ignacio Martínez de Pisón, for Las 13 rosas
Gonzalo Suárez, for Oviedo Express
Gracia Querejeta and David Planell, for Siete mesas de billar francés
Sergio G. Sánchez, for El Orfanato / The Orphanage

BEST ADAPTED SCREENPLAY / MEJOR GUIÓN ADAPTADO
Ventura Pons, for Barcelona, (un mapa)
Laura Santullo, for La Zona
Félix Viscarret, for Bajo las estrellas
Tristán Ulloa, for Pudor
Imanol Uribe, for La carta esférica

BEST CINEMATOGRAPHY / MEJOR FOTOGRAFÍA
José Luis Alcaine, for Las 13 rosas
Álvaro Gutiérrez, for Bajo las estrellas
Ángel Iguacel, for Siete mesas de billar francés
Carlos Suárez, for Oviedo Express

BEST EDITING / MEJOR MONTAJE
David Gallart for Rec
Fernando Pardo for Las 13 rosas
Elena Ruiz for El Orfanato / The Orphanage
Nacho Ruiz Capillas for Siete mesas de billar francés

BEST ORIGINAL SCORE / MEJOR MÚSICA ORIGINAL
Roque Baños, for Las 13 rosas
Carles Cases, for Oviedo Express
Míkel Salas, for Bajo las estrellas
Fernando Velázquez, for El Orfanato / The Orphanage

BEST ORIGINAL SONG / MEJOR CANCIÓN ORIGINAL
"Esa luz," by Luis Tosar, Piti Sanz, Santiago García de Leániz for Mataharis
"Fado da saudade," by Fernando Pinto Do Amaral, Carlos Do Carmo for Fados
"Glommy Sunday," by Lucía Jiménez for La caja Kovak
"Happy happy Chueca," by Diossa and Malyzzia for Chuecatown

BEST EXECUTIVE/LINE PRODUCER / MEJOR DIRECCIÓN DE PRODUCCIÓN
Juan Carmona and Salvador Gómez Cuenca, for Luz de domingo
Martín Cabañas, for Las 13 rosas
Teresa Cepeda, for Oviedo Express
Sandra Hermida, for El Orfanato / The Orphanage

BEST ART DIRECTION / MEJOR DIRECCIÓN ARTÍSTICA
Wolfgang Burmann, for Oviedo Express
Edou Hydallgo, for Las 13 rosas
Gil Parrondo, for Luz de domingo
Josep Rosell, for El Orfanato / The Orphanage

BEST COSTUME DESIGN / MEJOR DISEÑO DE VESTUARIO
Sonia Grande for Lola, la película
Lena Mossum for Las 13 rosas
Lourdes de Orduña for Luz de domingo
María Reyes for El Orfanato / The Orphanage

BEST SPECIAL EFFECTS / MEJORES EFECTOS ESPECIALES
Reyes Abades and Álex G. Ortoll, for El corazón de la tierra
David Ambid, Enric Masip and Álex Villagrasa, for Rec
Pau Costa, Raúl Ramanillos, and Carlos Lozano, for Las 13 rosas
David Martí, Montse Ribé, Pau Costa, Enric Masip, Lluis Castells and Jordi San Agustín, for El Orfanato / The Orphanage

BEST SOUND / MEJOR SONIDO
Carlos Bonmati, Alfonso Pino and Carlos Faruolo, for Las 13 rosas
Licio Marcos de Oliveira and Bernat Aragonés, for Tuya siempre
Iván Marín, José Antonio Bermúdez and Leopoldo Aledo, for Siete mesas…
Xavi Mas, Marc Orts, Oriol Tarragó, for El Orfanato / The Orphanage

BEST MAKEUP AND HAIR / MEJOR MAQUILLAJE and PELUQUERÍA
Lourdes Briones and Fermín Galán, for Oviedo Express
Lola López and Itziar Arrieta, for El Orfanato / The Orphanage
Mariló Osuna, Almudena Fonseca and José Juez for Las 13 rosas
José Quetglas and Blanca Sánchez, for El corazón de la tierra

BEST NARRATIVE SHORT / MEJOR CORTOMETRAJE DE FICCIÓN
El pan nuestro by Aitor Merino Unzueta
Padam… by José Manuel Carrasco Fuentes
Paseo by Arturo Rúiz Serrano
Proverbio chino by Javier San Román
Salvador - Historia de un milagro cotidiano by Abdelatif Abdeselam Hamed

BEST ANIMATED SHORT / MEJOR CORTOMETRAJE DE ANIMACIÓN
Atención al cliente by Marcos Valin and David Alonso
El Bufón y la infanta by Juan Ramón Galiñanes García
La Flor más grande del mundo by Juan Pablo Etcheverry
Perpetuum mobile by Raquel García-Ajofrin Virtus and Enrique García Rodríguez
Tadeo Jones y el sótano maldito by Enrique Gato Borregán

BEST DOCUMENTARY SHORT / MEJOR CORTOMETRAJE DOCUMENTAL
Caranbanchel, un barrio de cine by Juan Carlos Zambrana
El anónimo Caronte by Toni Bestard
El hombre felíz by Isabel Lucina Gil Márquez
Valkirias by Eduardo Soler

Honorary Goya / Goya de Honor
Alfred Landa

Julia's back

by Julieta Sans.

Exhibitions:

-National Portrait Gallery Photographic Prize 2007 (second prize)
-Amour Expo, Cabourg Gallery, France, co-curator and participant, 2006
-DayFour: Winter Notes on Summer Impressions, book and show, Six Degrees, London 2006

-Intimacy, Campbell Works, co-curator and participant. London 2005

-Central Saint Martins Postgraduate show, 2005
-Open, 198 Gallery, London 2004
-Summer Festival, Futura Ciudad Cultural Konex, Buenos Aires, 2004
-Cipea Centro Cultural, Buenos Aires, 2003

Madame Tutli Putli(eyes created by Jason Walker, 2007)

You might be interested in Madame Tutli Putli (integral video) and in The making of Madame Tutli Putli

Gus Arriola is dead

Gordo creator Gus Arriola died Saturday following a lengthy bout with Parkinson’s disease.
He was born in Arizona in July 1917, but grew up in Los Angeles. Immediately
after high school, he spent a year working on Krazy Kat for Screen Gems, then spent three years animating Tom and Jerry and Lonesome Stranger for Metro-Goldwyn-Mayer as a "sketch man", before leaving to start his own comic strip. He created the character of 'Gordo' and sold it to United Features in 1941. This comic strip, set in the Mexican countyside, soon became very popular, and Gus Arriola continued to draw it even when he was drafted for service in 1942. He eventually retired from the comic in 1985.
Gordo was initially designed to be a Mexican version of Li'l Abner, with a highly caricatured style and a lazy overweight title character who spoke in heavily accented English and took naps under a tree wearing a sombrero. After his early strips were criticized for Hollywood-style cultural stereotypes, Arriola realized that his was the only periodical work in American mass media that depicted life in Mexico, and modified the strip to be more sympathetic.
You can buy his books: Gordo's Cat, Accidental Ambassador Gordo: The Comic Strip Art of Gus Arriola and Gordo's Critters.

Spider (2007)

Spider was written by Nash Edgerton and David Michod, directed by Nash Edgerton and produced by Nicole O'Donohue. Spider is a 9-minute short that is all about fun and games until something happens. It seems like just an ordinary day for this young Aussie couple. Sure, they've had a bit of a row, but flowers and chocolates should patch-up all that. Then they'll be able to move on and continue on like normal... Edgerton has more than a few surprises up his sleeve in constructing this totally captivating relationship drama.

It has screened at numerous international film festivals including Telluride, Prague and Cork Film Festivals, and domestically at both Sydney and Melbourne Film Festivals. Spider recently won the Jury Prize at the AFI/Los Angeles Film Festival and won the audience award at both the Sydney Film Festival and Prague Short Film Festival. It is the fourth short film directed by Nash Edgerton that has screened at Sundance since 2000.
Since his short DEADLINE, which won the top prize at Tropfest in 1997, Nash has directed a number of award-winning short films, music videos and commercials featuring actors such as Rose Byrne, Joel Edgerton, Radha Mitchell, Kestie Morassi and Dan Wyllie.
The action packed trailer for Tropfest called THE PITCH was followed by the horror/thriller FUEL and the stunt-driven LUCKY, all shorts that screened to acclaim locally and abroad at festivals including Sundance, Berlin, Aspen, PiFan, St Kilda and Flickerfest.
His career in music videos has won him various awards and ARIA nominations for work with leading Australian artists including Ben Lee, Eskimo Joe, Missy Higgins, Toni Collette, Pacifier and The Sleepy Jackson.

Winter Olympic Games

by Oksana Grivina. He's the author of "Breakfast" and "Muchavka&Giant", at the moment he's working on "Clownery".