Archives images compiled by Edouard Salier demonstrate the blissful consumers of the standard American family, which become deformed by their transparent backdrops. Each image is criss-crossed by optical effects that magnify or obscure, and that invite sharper observation. Empire is remarkable for its integration of form, technique and content, deploying digital technologies with glacial precision in its exploration of the pervasive, unsettling realities of our times. Empire is a graphic illustration of the American way of life, and its warlike tendencies.
Empire (2005)
Archives images compiled by Edouard Salier demonstrate the blissful consumers of the standard American family, which become deformed by their transparent backdrops. Each image is criss-crossed by optical effects that magnify or obscure, and that invite sharper observation. Empire is remarkable for its integration of form, technique and content, deploying digital technologies with glacial precision in its exploration of the pervasive, unsettling realities of our times. Empire is a graphic illustration of the American way of life, and its warlike tendencies.
Labels: CG, Experimental
Kleingeld (1999)
Kleingeld was inspired by The Philanthropist, a play which was performed in Berlin by a student theater group. In the play a character tells a story about something that happened to him, but in the film, it's a different character, it's a different setting.
Marc-Andreas Bochert makes a short which is exceptionally well thought through, visually.
The cinematic space that articulates this story is made up of a series of repetitions, this space is shown with many variations.
Marc-Andreas Bochert also worked very carefully with the music. These are the dynamics from which Kleingeld can profit.
Labels: Narrative
We the Robots 2
Labels: Webcomics
Giocattoli futuristi (2005)
Claudio Castelli wants to wake sleepy consciences from their mechanicist torpor.
The story also touches issues raised by classic novels such as Dante's “Divine Commedy” and Manzoni's “The Betrothed” and wants to provoke thinking for young people ruled by routine.
Labels: 3D
Ballad of Mary Slade (Slamdance 2007)
This is a gothic tragedy, told from an unusual point of view. The tragic story of her life and eventual demise slowly unfolds as the insects that consume her decaying body become actors in the fateful retelling of her downfall.
Labels: Experimental
We the Robots 1
Labels: Webcomics
City Paradise (Ottawa 2005)
When Tomoko, a young Japanese girl who comes to London to learn English, leaves her house, we discover a mysterious, secret underground city below London, a place that's colorful and friendly.
City Paradise was commissioned by Channel 4 as part of the MOMI Artist in Residence (AIR) animation scheme.
This animation is so richness for its color choice and its music. And there is also humor in the mockery of British life.
When animation is art ...
Labels: CG
Reflection
Labels: Photos
One Weekend, A Month (Sundance 2005)
Meg's Monday morning routine is turned upside down when the phone rings. The caller delivers some news that turns her life, and lives of her children, upside down.
This is a tale of sacrifice, loss of faith, and redemption set in the land of diminishing returns
Eric Escobar choose to film the scene in basically the same area, the kitchen. The raw emotions portrayed by Renee O'Connor sensed her character's desperation but felt it as well.
Labels: Narrative
The Deadline (The Presentators 2004)
If you ever lived through the creative crisis at the end of any group project will easily identify with the humour in The Deadline.
Stefan Marjoram designed this short to show how Aardman's stop motion heritage was not lost in the newly developed CG department. It is predominantly a lip-sync piece, it's funny and produces a laugh of recognition.
The Presentators are a series of one-minute, 3D, computer-animated shorts made for Nickelodeon.
Labels: 3D
This Is for Betsy Hall (Sundance 2000)
An impressionistic montage of stills, projected video, underwater footage and an intimate phone conversation, this deeply personal film was crafted as a gift for the Hope Hall's mother.
Labels: Narrative
Geek And Poke
Labels: Webcomics
Agricultural Report (2004)
A new strain of a disease that could be dangerous to livestock herds is being discussed on the radio. A cow listening to the show naturally gets a bit worried about the topic.
This is why cows shouldn't listen to the radio. What's a cow to do? Why, freak out, of course.
Barley Films was founded in Ireland in 2002 to produce entertaining animated films. This is its second short and it has gone on to win ten international awards and has screened in over one hundred festivals.
Melina Sydney Padua makes a great work!
Labels: 3D
Beef
The Corporation (Sundance 2004)
150 years ago, the business corporation was a relatively insignificant institution. Today, it is all-pervasive. Like the Church, the Monarchy and the Communist Party in other times and places, the corporation is today's dominant institution. This documentary examines the nature, evolution, impacts, and possible futures of the modern business corporation.
You can buy The Corporation
Labels: documentary
Metropopular (Sundance 2001)
Frantic about a popularity contest in which these cities are competing, they jockey for top position while arguing between themselves. Highlighting their separate personalities, each city had his or her own reason why they should be America's favorite city.
Labels: 3D
Born Into Brothels (2005 Accademy Award)
Briski, a documentary photographer, went to Kolkata to photograph prostitutes. While there, she befriended their children and offered to teach the children photography to reciprocate being allowed to photograph their mothers. The children were given cameras so they could learn photography and possibly improve their lives. Much of their work was used in the film, and the filmmakers recorded the classes as well as daily life in the red light district.
The red light district has existed for centuries and will exist for centuries more, but now we know the tortured lives of children in the shadows of Calcutta. The fate of the children is not resolved, but their dreams resonate in our world and lives.
The Durbar Mahila Samanwaya Committee has criticized Briski for using hidden camera work to incorrectly present the children's parents as uncaring, for ignoring the prostitutes' substantial efforts to unite, and for harming the global movement for sex worker rights and dignity.
You can buy Born Into Brothels: Calcutta's Red Light Kids
Labels: documentary
The Bureaucrats
Labels: Webcomics
Tenshi no Tamago (天使のたまご, 1984)
The whole film is beautifully animated and designed. The atmosphere is dark: empty streets creates a dreamlike, slightly sinister atmosphere reminiscent of proto-surrealist painters Giorgio deChirico and Dalì. And there is plenty of symbolic Christian imagery: almost the story of Noah's ark takes up a good portion of the sparse dialogue. There are also references to Kubrick's 2001: A Space Odyssey.
In a desolate and dark world full of shadows, lives one little girl: she is the sole protector of a very precious, large egg. A mysterious man enters her life and when he wins her trust, they begin to discuss about the world around them.
Each metaphor spoken and piece of symbolism shown only helps to further deepen the mystery behind the film.
You can read this article about its simbolism.
Labels: Anime, Experimental
Children no more
Titler (Sundance 2000)
It's an entertaining, hilarious and shocking film.
This short performs eight numbers as Titler, a cross-dressing man with a woman's figure and the hair and mustache of the Fuhrer's. An absurd superimposition of two brands of charisma featuring Adolf Hitler!
What wonderful portrait of the Führer in drag belting out sexually reassigned show tunes!
Greg Roman has also created Titler web site that further evolves the character and tone established in the film.
Labels: Narrative
Plasticland (Future Film Festival 2004)
A pocket full of money. When a tramp asks him for some money, a cat has to struggle with his many internal consciences to come up with a decision.
Simon Bogojevic-Narath has created a surprising and rich world in 3-D computer generated animation.
Labels: 3D
Batcha
Labels: Paintings
Dear America: Letters Home from Vietnam (Accademy Award 1989)
This movie is so powerful precisely because it is so simple. Using real letters written by US soldiers and archive footage, the film creates a highly personal experience of the Vietnam War.
An intensely moving and disturbing experience. It shows a more humane story of the war than we see in most media outlets and reveal real people in real situations trying to explain or understand the war.
It has no plot except of thousands of young men who went to a faraway country and had unspeakable experiences there; many of them died or were wounded for life in body or soul.
You can buy Dear America - Letters Home from Vietnam
Labels: documentary
One Man Band (Annecy 2006)
Andrew Jimenez and Mark Andrews show us what Pixar can do with four minutes and the simplest of story lines. This short is fun because it's funny and imaginative.
With one coin to make a wish at the piazza fountain, One Man Band tells the humorously captivating tale of a peasant girl who encounters two competing street performers who'd prefer the coin find its way into their tip jars. As the two one-man bands' rivalry crescendos, the two overly eager musicians vie to win the little girl's attention.
You can buy Pixar Short Films Collection: Volume 1.
Labels: 3D
Visas and virtue (Academy Award 1998)
Although he is not as well known as Schindler, his heroic efforts resulted in one of the largest rescues of Jews during the Holocaust.
Chris Tashima shows us that it's possible narrate a true story without making a documentary.
Labels: Narrative
Ersatz (Academy Award 1961)
The Substitute was the first film produced outside the USA to win an Oscar for best animated short.
It's a simple story about the man who comes to the beach and uses inflatable objects for all of his needs.
You can buy The Best of Zagreb Film: Be Careful What You Wish For/The Classic Collection
Dark Days (Sundance 2000)
This is a noble film worthy of our attention.
He just started hanging out and making friends in his neighbourhood. He met one guy who mentioned the tunnels. He heard that you could build a house down there and live somewhat normally but still be homeless. And that just fascinated him so Singer went exploring.
There is some crime, but it’s not total anarchy. Boundaries are almost always respected, and there is a sense of uneasy camaraderie among these people.
Dark Days is an eye-opening experience that shatters the myths of homelessness by revealing a thriving community living in tunnels beneath New York City and honestly capturing their resilience and strength in their struggle to survive.
This documentary helps to change negative perceptions of the homeless. But Singer doesn't want the film to make us feel guilty that we are living comfortably while somebody else is on the street. Singer focuses on the positive things people try to do for themselves. And most importantly he gave every homeless person involved in its making a percentage. The only thing that stood in the way of Singer's idea and its execution was that he knew absolutely nothing about filmmaking, or even still photography
He assembled a group of the tunnel homeless to be his camera loaders, sound recorders, electricians and equipment manufacturers. Such a crew would add to the authentically personal feel of the film and solve the problem of finding a professional crew willing to endure tunnel conditions for that long.
Dark Days's urban wasteland aesthetic is sort of Lynchian in its ironic beauty.
This is unique among documentaries because of Singer's sensitive treatment. There are shots in Dark Days that rank with the best black-and-white photojournalism pieces of the '30s and '40s. Singer's attention to detail rightly deserved the Cinematography Award at Sundance
You can buy Dark Days
Labels: documentary
Munro (Oscar 1961)
Jules Feiffer's parable about the dangers of a mindless military mentality is accurately presented in this funny little film. Howard Morris narrates and voices the various grown-ups.
You can buy Rembrandt Films Greatest Hits
Trevor (Oscar 1994)
Set as a sequence of diary entries, the film tells the story of bright, funny, and exuberant thirteen year old Trevor, who learns to deal with the fact that he is gay. He falls for another young boy, his friend, and his true feelings are revealed. He attempts suicide, but in the end his strong will and determination help him get through this tough time.
Peggy Rajski and Randy Stone created The Trevor Project, too.
You can buy Trevor
Labels: Narrative
Jane's World
In 2006 Jane's World received an Eisner Award nomination for best humor book. There are currently 8 Volumes of Jane's World in print.
Labels: Webcomics
Now Hear This (1962 Oscar nominee)
Looney Tunes is a variation on Silly Symphonies, the name of Walt Disney's concurrent series of music-based cartoon shorts. Looney Tunes originally showcased Warner-owned musical compositions through the adventures of cartoon characters.
This was the first Warner Bros cartoon to use the "modern" Looney Tunes opening and closing sequence featuring stylized animation.
An old man finds a red horn and uses it as a megaphone, unaware that it is really a lost horn from the Devil's forehead. The Britisher finds that the horn has the effect of amplifying every sound psychedelically and causing him serious bodily harm.
It's impressive how economically Chuck Jones packed in so much expression and character into so little. You'll enjoy his artistic style and abstract design!
You can buy Warner Brothers Home Entertainment Academy Awards Animation Collection.
Arachne Elrafo
Labels: Paintings
Moving Still (2007)
The routine of the daily train, with the same point of departure, same point of arrival, same route without surprise. You can feel feel the monotony of a recurring journey made too many times.
The images pass by outside and you follow the rhythm. Which rhythm do you choose? Are you free to change your life?
Labels: CG, Experimental
Not From Concetrate 5
Labels: Webcomics
Precious Image (1986 Academy Award for Live Action Short Film)
The scenes are organized by genre, which is matched to appropriate music. Chuck Workman chooses only about a second from each movie to push the audience into a kind of trance and take them on a journey into their individual memories of great films of three quarters of a century.
Workman wanted to evoke hundreds of fleeting memories in the viewers to look back on all the great films they have seen.
Labels: Experimental
Making A Map
Labels: Photos
The Meatrix (Annecy 2004 Netsurfers Award for Short Films)
In early 2003, Free Range Graphics invited nonprofit groups around the country to submit proposals for their first-ever Free Range Flash Activism Grant. After reviewing 50 proposals, Free Range awarded the grant to the Global Resource Action Center for the Environment (GRACE), an organization committed to halting factory farms and promoting sustainable agriculture. Their decision to spoof The Matrix was based on the similarities between the film and today’s corporate system of agriculture.
Leo, a pig on a seemingly bucolic family farm, is approached by Moopheus, an anthropomorphic bull. Moopheus shows Leo that the farm he has known is an illusion, and that he is really trapped in a horrific factory farm. Leo and Moopheus then work to break out of the Meatrix and help others do the same, with some help from a third character, Chickity..
In 2006, Free Range studios also released two sequels: The Meatrix II: Revolting and The Meatrix: II and 1/2.
The Meatrix will be the best parody flash animation with a political message you've ever watched!
Labels: Flash
Not From Concentrate 4
Labels: Webcomics
Meshes of the Afternoon (1943)
Maya Deren and Alexander Hammid wanted to put on film the feeling which a human being experiences about an incident, rather than to record the incident accurately.
This short is still one of the most popular of all American experimental films and is a landmark film that has provided an important model, setting the tone and style for other individual efforts over the next decade.
The entire film is seen through the eyes of a woman. You cannot tell when Maya's character is awake or dreaming. She carries a flower with her, which she holds upside down. She sees death, who wears a black hood and has a mirror for a face. She sees herself dreaming. In her dream she seems to foresee her own death. She seems to have a subconscious fear of knives, or being killed by a knife.
The film's narrative is circular and repeats a number of psychologically symbolic images, including a flower on a long driveway, a key falling, a door unlocked, a knife in a loaf of bread, a mysterious Grim Reaper-like cloaked figure with a mirror for a face, a phone off the hook and an ocean.
The film was produced in an environment of wartime volatility and this is reflected symbolically as throughout its mise-en-scène: the atmosphere is saturated in paranoia.
The beauty of this films is in its rhythmus: an innovative style of cutting on action, repetition and variation: a series of subtle structural, temporal, and logical mutations, creating a sublimely recursive, mind-bending meditation on the interaction between experience and memory, domestic banality and violence, imagination and causation.
You can buy Maya Deren: Experimental Films
Labels: Experimental
Sub (2000)
It's a strange short: a spare dialogue, a striking illustrative style and a decidedly red aesthetic. Someone will see in the short the decline of the Soviet Empire or a treatise on the vulgarization of mass culture and the decline of religiosity.
I'm not sure if it's simply a surreal short about the crew of a miniature submarine attempting to save their captain from being splattered about the ground of a European plaza but I'm sure this film will fascinate you for its inventiveness, its dynamic editing, its continual narrative surprises but most of all for its subversive humor.
Not From Concetrate 3
Labels: Webcomics
Le Vieil Homme et la Mer (1999)
Aleksandr Petrov and his son Dmitri Petrov painted each of the 29,000+ frames. They took more than two years of painting on glass sheets. The project was initiated in 1995 after Petrov (who had made his first films in Russia) had his first meeting with Pascal Blais Studio, a Canadian animation studio. The film was partially funded by and was made at their studio. After photographing each frame painted on the glass sheets, which was four times larger than the usual A4-sized canvas, he had to slightly modify the painting for the next frame and so on.
The style is analogous to that used in Petrov's other films and can be characterized as a type of Romantic realism. People, animals and landscapes are painted and animated in a very realistic fashion but there are sections where Petrov attempts to visually show a character's inner thoughts and dreams.
You will be overwhelmed by its beauty and depth, and the admiration for what human imagination, creativity, and talent are capable of producing.
An astonishingly gorgeous example of a modern classic!
Kiwi (2006)
Originally the main character wad going to be a chicken but Permedi found it an obvious choice. So he created Kiwi.
The animator's story is that of a kiwi bird who has a dream (he aspires to fly) and is willing to do anything to see it become a reality.
This charming short is simple yet so powerful that it sticks in your subconscious.
A great example of a dialogue free narrative, which reminds me of the first shorts of Pixar!
Labels: 3D
Not From Concentrate 2
Labels: Webcomics





























